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Shakespeare and Stanislavsky

A Practical Guide for Actors, Directors, Students and Teachers
Brief Description
This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Konstantin Stanislavsky to Shakespeare. Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential... Read More
Format: Paperback / softback
$3299
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This companion volume to the Arden Performance Editions provides actors, directors, teachers and students with insight into how the work of Konstantin Stanislavsky can be applied to the rehearsal process for a Shakespeare play or scene-study.

This companion volume to the Arden Performance Editions provides actors, directors, teachers and students with insight into how the work of Konstantin Stanislavsky can be applied to the rehearsal process for a Shakespeare play or scene-study.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Konstantin Stanislavsky to Shakespeare.

Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential theatre practitioner, Stanislavsky, to the process of rehearsing and workshopping Shakespeare’s play texts.

Acting tutor and director, Annie Tyson, makes applying Stanislavsky’s methods to Shakespeare simple and accessible. She rejects and dispels the myth held by some that Stanislavsky and Shakespeare are incompatible, showing instead how the Shakespearean text offers clues to specific acting choices that are intricately connected to action and character.

Drawing on years of acting, directing and teaching experience at the Drama Centre London and RADA, Tyson’s guide is full of practical tips and humour.

This guide also includes a series of interviews with actors and directors who explain their approach to applying Stanislavsky to Shakespeare.

Series: Arden Performance Companions

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  • Shakespeare and Stanislavsky
    This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Konstantin Stanislavsky to Shakespeare. Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential theatre practitioner, Stanislavsky, to the process of rehearsing and workshopping Shakespeare’s play texts. Acting...
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  • β€˜You’ and β€˜Thou’ in Shakespeare
    Romeo and Juliet always use β€˜thou’ to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as β€˜thou’, but no man ever does. Why? When characters address the dead, they use β€˜thou’ – except for Hamlet, who addresses Yorick as β€˜you’. Why? Shakespeare’s contemporaries would...
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Book Details

INFORMATION

ISBN: 9781350249745

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 14 November 2024

Country: United Kingdom

Imprint: The Arden Shakespeare

Audience: Tertiary education

DIMENSIONS

Spine width: 14.0mm

Width: 138.0mm

Height: 214.0mm

Weight: 280g

Pages: 208

About the Author

Annie Tyson read Drama and Theatre Arts at Birmingham University before training at the Drama Centre. She began her professional life as an actor in repertory theatre playing a wide variety of roles from Shakespeare to musicals and pantomime and moving into TV and radio. Her interest and curiosity about the actor’s process led her to working as an acting tutor at Rose Bruford College, at Drama Centre and eventually to her becoming the Course Director for BA Acting at Drama Centre where she continued to champion the European classical repertoire with a particular passion for Shakespeare. She now works at RADA and as a mentor for Open Door and is a Patron of the MonoBox. She has contributed to Directing – a handbook for emerging directors and a chapter in Approaches to Actor Training – International Perspectives. She continues to act, on occasion.

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