The Go-Go's Beauty and the Beat
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Check link for latest rating. ( 41 ratings, 8 reviews)This work also celebrates the Go-Go's as feminist trailblazers whose DIY ethos predated later movements like Riot Grrrl, inspiring generations of female musicians to create on their own terms.
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The Go-Go's Beauty and the Beat
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"Celebrates the feminist legacy of the Go-Go's debut album Beauty and the Beat, explores the lasting influence the ground-breaking record had on female musicians and examines how pop culture portrays, packages and promotes female musicians"--
Celebrates the feminist legacy of the Go-Go's debut album Beauty and the Beat, explores the lasting influence the ground-breaking record had on female musicians and examines how pop culture portrays, packages and promotes female musicians
The Go-Go’s debut album Beauty and the Beat was released on 8 July 1981. The album spent six weeks in the number one spot on the Billboard charts, produced two hit singles, and sold more than two million copies, making it one of the most successful debut albums of all time. Beauty and the Beat made the Go-Go’s the first, and to date, only female band to have a number one album that not only wrote their own songs but also played their own instruments.
Beauty and the Beat is a ground-breaking album, but the Go-Go’s are often overlooked when we talk about influential female musicians. The Go-Go’s were a feminist band and Beauty and the Beat a call to arms that inspired generations of women. The band embraced the DIY spirit of Riot Grrrl before there was a Bikini Kill or a Bratmobile. Girls making music on their own terms didn’t start with Courtney Love or Beyoncé or Billie Eilish; it started with the Go-Go’s. It started with Beauty and the Beat.
While they may have controlled their music, the Go-Go’s couldn’t control the misogyny of the music industry, media, and fans. The sexist and tired stereotypes the Go-Go’s experienced 40 years ago still exist today. The legacy of Beauty and the Beat is both a celebration of how the record inspired countless girls to make art and music on their own terms, but also a painful reminder of how little has changed in how female musicians are marketed, manipulated, and discarded.
Series: 33 1/3
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Praised for its thorough and devoted history of the band, this book goes beyond the legendary debut album to provide an exciting contextualisation of women in rock music. It offers a fundamental examination of the Go-Go's impact with insight that is engaging and worth reading. Ox-Fanzine: Magazine for Rock'n'Roll.
Book Details
INFORMATION
ISBN: 9781501390289
Publisher: Bloomsbury Publishing Plc
Format: Paperback / softback
Date Published: 07 September 2023
Country: United States
Imprint: Bloomsbury Academic
Audience: General / adult
DIMENSIONS
Spine width: 10.0mm
Width: 120.0mm
Height: 162.0mm
Weight: 140g
Pages: 152
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About the Author
Lisa Whittington-Hill is a writer based in Toronto, Canada. Her work has appeared in Longreads, The Walrus, Hazlitt, Catapult, and more. Girls, Interrupted, her collection of essays on how pop culture is failing women, will be published by VéhiculePress in 2023. She is also the publisher of This Magazine, a progressive magazine of politics, ideas, and culture, and teaches in the publishing program at Centennial College.
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