Slow Violence and the Environmentalism of the Poor
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
βSlow violenceβ from climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war occurs gradually and often invisibly. Rob Nixon focuses on the inattention we have paid to the lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today.
Slow Violence is inspiring, innovative, and passionate. Nixon forces us to confront some of the most urgent issues facing the continued existence of humans on the planet. He re-energizes environmental literature, infusing the field with the transnational concerns of world literature, and creatively reinvigorates post-colonial studies. -- Hazel Carby, Yale University Nixon jumpstarts a conversation between the fields of eco-criticism and postcolonial studies, and the outcome is brilliant. A landmark achievement, directed with great care, lucidity, and no end of foresight. -- Andrew Ross, New York University How can we dramatize slow violence? This beautifully written book shows how writers have conjured the invisible environmental calamities that have come to be the hallmark of modern times. The damage in question is out of sight--and out of mind for the global elites who command center stage. Nixon's evocative prose redoubles the charge of the writers who fight to show us the central challenge of our era. Everyone should read this book. -- Anna Tsing, author of Friction: An Ethnography of Global Connection
The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of slow violence to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today.
Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced. It fuels social conflicts that arise from desperation as life-sustaining conditions erode.
In a book of extraordinary scope, Nixon examines a cluster of writer-activists affiliated with the environmentalism of the poor in the global South. By approaching environmental justice literature from this transnational perspective, he exposes the limitations of the national and local frames that dominate environmental writing. By skillfully illuminating the strategies these writer-activists deploy to give dramatic visibility to environmental emergencies, Nixon invites his readers to engage with some of the most pressing challenges of our time.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Slow Violence is heralded for widening the scope of ecocriticism by integrating postcolonial perspectives. Critics praise Nixon's clear and rigorous writing style, which combines scholarly insight with humanistic concern. The book is seen as a foundational text for environmental humanities, merging ecologism, anti-imperialism, and anti-capitalism through a novel alliance of environmental and postcolonial studies. It is considered essential reading for understanding environmental justice and activism.
Book Details
INFORMATION
ISBN: 9780674072343
Publisher: Harvard University Press
Format: Paperback / softback
Date Published: 11 March 2013
Country: United States
Imprint: Harvard University Press
Illustration: 5 halftones
Audience: Professional and scholarly
DIMENSIONS
Width: 156.0mm
Height: 235.0mm
Weight: 250g
Pages: 368
About the Author
Rob Nixon is Thomas A. and Currie C. Barron Family Professor in Humanities and the Environment at Princeton University. A frequent contributor to the New York Times, he is the author of Dreambirds: The Natural History of a Fantasy.
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