How Images Mean
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How Images Mean
How Images Mean
This groundbreaking study interrogates a rich and diverse repertoire of images from all over the world to answer the fundamental question: how are the meanings of images conveyed, recognized and accepted?
This groundbreaking study interrogates a rich and diverse repertoire of images from all over the world to answer the fundamental question: how are the meanings of images conveyed, recognized and accepted?
Combining art history, anthropology, philosophy and linguistics, How Images Mean expands the field of traditional iconography, which explains what images mean, by introducing new, useful categories that enable us to understand how images mean (meta-iconography). In his study of iconography from a century ago, Erwin Panofsky famously discussed what an βAustralian bushmanβ might make of Leonardoβs Last Supper: though unaware of the religious story, the Aboriginal viewer would have known it was a picture of humans eating a meal together.
Paul Taylorβs book argues that this perspective gets the question the wrong way around. We only know the painting depicts people at supper if we know it represents a supper. It is through knowing the cultural context that we can interpret the contents of an image.
Universal in scope and profoundly topical at a time when artificial intelligence is redefining our visual horizon, this book represents a resource for scholars in a variety of fields and a thought-provoking read for all those interested in art.
Published by Paul Holberton Publishing
Book Details
INFORMATION
ISBN: 9781913645885
Publisher: Paul Holberton Publishing Ltd
Format: Paperback / softback
Date Published: 22 July 2025
Country: United Kingdom
Imprint: Paul Holberton Publishing Ltd
Illustration: 170 b-w and color illus
Audience: General / adult
DIMENSIONS
Width: 168.0mm
Height: 241.0mm
Weight: 0g
Pages: 264
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About the Author
Paul Taylor has been a member of the Warburg Institute since 1991 and is the Curator of its Photographic Collection. An expert on iconography and Dutch art, his publications include Condition: The Ageing of Art (2015), Iconography without Texts (as editor, 2008) and Dutch Flower Painting, 1600β1720 (1995).
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