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Painting, Science, and the Perception of Coloured Shadows
‘The Most Beautiful Blue’
Series: Science and the Arts since 1750
Brief Description
Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as beautiful. Paul Smith explains what...
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Painting, Science, and the Perception of Coloured Shadows
$9399
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This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value from Wittgenstein and Merleau-Ponty).
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Description
Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as beautiful.
Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty).
Painting, Science, and the Perception of Coloured Shadows will be of interest to scholars in art history, art theory, and the history of science and technology.
Series: Science and the Arts since 1750
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Painting, Science, and the Perception of Coloured Shadows
Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as beautiful. Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured...Paperback$9399Unit price /UnavailableAvailableShips in 4-6 weeks -
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Book Details
INFORMATION
ISBN: 9780367716424
Publisher: Taylor & Francis Ltd
Format: Paperback / softback
Date Published: 27 May 2024
Country: United Kingdom
Imprint: Routledge
Illustration: 32 Halftones, color; 40 Halftones, black and white; 32 Illustrations, color; 40 Illustrations, black and white
Audience: Tertiary education
DIMENSIONS
Width: 174.0mm
Height: 246.0mm
Weight: 458g
Pages: 176
About the Author
Paul Smith is Professor of History of Art at the University of Warwick.
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