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Looking at the Overlooked
Series: Essays in Art and Culture
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Check link for latest rating. ( 109 ratings, 10 reviews)
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
Ideal for readers interested in art history, cultural studies, and feminist perspectives within the arts.
Analyses the origins, history and logic of 'still life', one of the most enduring forms of Western painting. This work surveys a major segment in the history of still life, from 17th-century Spanish painting to Cubism. It tackles the controversial field of 17th-century Dutch still life.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
In this classic Reaktion title, Norman Bryson analyses the origins, history and logic of still-life, one of the most enduring forms of Western painting.
From Roman wall-painting to Cubism, and from seventeenth-century Dutch still-life to Bryson's conclusion that the persisting tendency to downgrade the genre of still-life is profoundly rooted in the historical oppression of women, Looking at the Overlooked is Norman Bryson at his brilliant best.
Series: Essays in Art and Culture
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Frances Spalding, The Independent: 'Few art historians can unpeel images in the way that he does.'
Good Book Guide: 'The still-life really comes alive in this book.'
Book Details
INFORMATION
ISBN: 9780948462061
Publisher: Reaktion Books
Format: Paperback / softback
Date Published: 01 February 2018
Country: United Kingdom
Imprint: Reaktion Books
Illustration: 76 illustrations, 11 in colour
Audience: General / adult, Tertiary education, Professional and scholarly
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 250g
Pages: 192
About the Author
Norman Bryson is Professor of Art History and Theoretical Studies at the Slade School of Art, University of London. He has written extensively on painting and critical theory.
Also by Norman Bryson
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