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Hiroshige. One Hundred Famous Views of Edo

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Hiroshige. One Hundred Famous Views of Edo by Melanie Trede and Lorenz Bichler explores the captivating artwork of Hiroshige, a master ukiyo-e artist. This book delves into the beauty and historical significance of Edo, now Tokyo, through a series of picturesque prints. Each view captures the essence of a rapidly changing city, blending urban landscapes with nature's tranquillity.
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Format: Hardback
$19500
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This captivating book may appeal to you if you have a deep appreciation for Japanese art and culture, specifically the stunning woodblock prints of Edo-period Tokyo. It beautifully showcases the intricate details and historical insights of Hiroshige's masterful work, making it a delightful addition for both art enthusiasts and historians.

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A dazzling reprint of Hiroshige's views of Edo (modern-day Tokyo), one of the masterpieces of the ukiyo-e woodblock printing tradition and a paradigm of the Japonisme that inspired Impressionist, Post-Impressionist and Art Nouveau artists, from Vincent van Gogh to James McNeill Whistler.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world," ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world's visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes.

Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as One Hundred Famous Views of Edo (1856-1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards.

This reprint, bound in the traditional Japanese fashion, is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Hiroshige. One Hundred Famous Views of Edo is praised for elevating beyond a typical art book by effectively blending aesthetic appeal with informative content.

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Book Details

INFORMATION

ISBN: 9783836593083

Publisher: Taschen GmbH

Format: Hardback

Date Published: 17 April 2023

Country: Germany

Imprint: Taschen GmbH

Edition: Multilingual edition

Audience: General / adult

DIMENSIONS

Spine width: 37.0mm

Width: 250.0mm

Height: 340.0mm

Weight: 2293g

Pages: 302

About the Author

Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg.

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