Hokusai's Method
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Hokusai's Method
An omnibus edition collecting fifteen volumes of Hokusai's dedicated drawing manuals, also known as e-tehon.
An omnibus edition collecting 15 volumes of Hokusai's dedicated drawing manuals, 'e-tehon'
An omnibus edition collecting 15 volumes of Hokusai's dedicated drawing manuals, 'e-tehon'.
Of the 300 or so printed books Hokusai created in his lifetime, a huge proportion of these were dedicated drawing manuals, known as e-tehon (drawing models). They show not only Hokusai's great proficiency as a draughtsman, but also his wealth of ideas, and his sense of humour.
This omnibus edition collects 15 volumes of Hokusai's e-tehon, which feature over 800 illustrations of instructions from 1812 to 1848. With every page faithfully reproduced against the original works, the book shows Hokusai's playful approach to drawing with amusing songs, pictures comprised of letterforms (a forerunner to today's emoji), modern designs for craftsmen, and, yes, dance moves. This all-encompassing endeavour also includes a valuable work that he published just before his death. This was his magnum opus, serving to 'preserve everything I've learned'.
Note to Readers
The pages in this volume are ordered according to the Japanese system. Please turn to the back of the book to begin reading.
Book Details
INFORMATION
ISBN: 9780500028773
Publisher: Thames & Hudson Ltd
Format: Hardback
Date Published: 23 January 2025
Country: United Kingdom
Imprint: Thames & Hudson Ltd
Illustration: 822 Illustrations, color
Audience: General / adult
DIMENSIONS
Width: 148.0mm
Height: 210.0mm
Weight: 1120g
Pages: 896
About the Author
Katsushika Hokusai (1760-1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Kyoko Wada is an art writer, critic and historian of Japanese culture. Ryoko Matsuba is a specialist in Japanese printed culture from the Edo to modern times. She is a lecturer in Japanese Digital Arts and Humanities at the Sainsbury Institute and has been a researcher at the British Museum since 2014.
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