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Amateurs!

How We Built Internet Culture and Why it Matters
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Brief Description
The internet is no longer new; it is part of our everyday lives. As a commonplace, we rarely take time to contemplate what we have made together. In these moments, the old criteria are shattered: play becomes work, joy is monetised, and private creativity is policed... Read More
Format: Paperback / softback
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A Radical History of the Internet as a place of creativity: where aesthetics has become a currency and the cost of being online.

A Radical History of the Internet as a place of creativity: where aesthetics has become a currency and the cost of being online.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The internet is no longer new; it is part of our everyday lives. As a commonplace, we rarely take time to contemplate what we have made together. In these moments, the old criteria are shattered: play becomes work, joy is monetised, and private creativity is policed by corporations. The platforms offer us a devil's bargain: they force us to pay through our own creativity, which is then repossessed and turned into value.

The internet was first made by amateurs but has gone on to make amateurs of us all: Toktok dancers, Wikipedia editors, Reddit monitors, Insta stars, and X-warriors. But when we are dependent on the platforms in order to create, can we call such production art anymore? Are we producers or users? Or perhaps just the used?

In a series of studies on who owns a LolCats, the relationship between selfies and autofiction, the new commons of wiki, whether the look of the online world is old or new or just a poor image, whether you can copyright a loop, and why AI art without an artist is not art, Amateurs! explores these questions.

In this brilliant philosophical history of the internet, Joanna Walsh looks at the key moments of our recent digital lives in order to understand how the aesthetics of the internet were formed.

Joanna Walsh is fast becoming one of our most important writers - Deborah Levy

Walsh's writing has intellectual rigour and bags of formal bravery... boldly intellectual work. - Financial Times

Book Details

INFORMATION

ISBN: 9781839765391

Publisher: Verso Books

Format: Paperback / softback

Date Published: 23 September 2025

Country: United Kingdom

Imprint: Verso Books

Illustration: 12 B/W integrated

Audience: General / adult

DIMENSIONS

Spine width: 17.0mm

Width: 140.0mm

Height: 210.0mm

Weight: 307g

Pages: 272

About the Author

Joanna Walsh is a multidisciplinary writer for print, digital and performance. The author of seven books, including Hotel, Vertigo, Worlds from the Word's End and Break*up she also works as a critic, editor, teacher and arts activist. She is a UK Arts Foundation fellow, and the recipient of the Markievicz Award in the Republic of Ireland. She founded and ran #readwomen (2014-18), described by the New York Times as β€œa rallying cry for equal treatment for women writers” and currently runs @noentry_arts.

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