The Story of Art
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The Story of Art
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Gombrich's The Story of Art is a look at Western art from prehistoric times on up to the present. In his discussion of twentieth-century art, Gombrich explains how even the most experimental contemporary art is connected in some way to what has gone before.
This text is the 16th revised and updated edition of this introduction to art, from the earliest cave paintings to experimental art.
Eight new artists from the modern period have been introduced. They are: Corot, Kollwitz, Nolde, de Chirico, Brancussi, Magritte, Nicolson, and Morandi.
A sequence of new "endings" have been added, and the captions are now fuller, including the medium and dimension of the works illustrated. Six fold-outs present selected large-scale works. They are: Van Eyck's "Ghent Altarpiece", Leonardo's "Last Supper", Botticelli's "Birth of Venus", Jackson Pollock's "One (Number 31, 1950)", Van der Weyden's "Descent from the Cross" and Michelangelo's Sistine Chapel ceiling.
Book Details
INFORMATION
ISBN: 9780714832470
Publisher: Phaidon Press Ltd
Format: Paperback / softback
Date Published: 21 July 2007
Country: United Kingdom
Imprint: Phaidon Press Ltd
Edition: 16th edition
Audience: General / adult
DIMENSIONS
Spine width: 39.0mm
Width: 172.0mm
Height: 245.0mm
Weight: 1652g
Pages: 688
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About the Author
Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published 50 years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews.
Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes. Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.Also by EH Gombrich
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