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Andy Blankenbuehler

A Critical Companion
Brief Description
There are very few times when I really want the audience to look at dance…Dance is just meant to be a framing device that matches emotionally what I want the audience to feel. – Andy Blankenbuehler Three-time Tony Award-winner Andy Blankenbuehler is one of the most... Read More
Format: Paperback / softback
$5000
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Releases 3rd September 2026 (Approx. Date) Pre-order  "Andy Blankenbuehler" now to secure your copy from our first shipment

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The first critical study of three-time Tony Award-winning choreographer Andy Blankenbuehler focusing on his craft, creative process and impressive body of work from Bring it On to Hamilton and beyond.

The first critical study of three-time Tony Award-winning choreographer Andy Blankenbuehler focusing on his craft, creative process and impressive body of work from Bring it On to Hamilton and beyond.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

There are very few times when I really want the audience to look at dance…Dance is just meant to be a framing device that matches emotionally what I want the audience to feel. – Andy Blankenbuehler

Three-time Tony Award-winner Andy Blankenbuehler is one of the most recognisable choreographers working on Broadway today. Known particularly for his work on the hit musical Hamilton, collaborating once again with Lin-Manuel Miranda following their work on In The Heights, his distinct style and method of working is unique and distinguishable.

This first critical study of both his style and extraordinary body of work explores everything from his background and training through to his rehearsal process and collaborative style. Told chronologically through his major shows, alongside interludes and reflections, this critical companion includes analysis alongside interviews with collaborators and Blankenbuehler himself.

As well as guiding readers through specific shows, this book unpacks and explores Blankenbuehler’s philosophies with regards to storytelling through the body. It argues how his prioritisation of the ensemble as crucial to understanding the action within a show consequently positions the ensemble body as an indispensable element through which the audience gains vital (sub)text. As a result of this decision, his choreography has become distinctly different from his predecessors and peers.

Published in Methuen Drama's Musical Theatre Critical Companions series, this offers an accessible yet thorough study of a contemporary practitioner that is perfect for students, dancers, and musical theatre fans alike.

Series: Musical Theatre Critical Companions

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  • Andy Blankenbuehler
    Pre-order
    Andy Blankenbuehler
    There are very few times when I really want the audience to look at dance…Dance is just meant to be a framing device that matches emotionally what I want the audience to feel. – Andy Blankenbuehler Three-time Tony Award-winner Andy Blankenbuehler is one of the most recognisable choreographers working on Broadway today. Known particularly for his work on the hit...
    Paperback
    $5000
    Pre-order
    Out 3 Sep 2026

Book Details

INFORMATION

ISBN: 9781350524347

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 06 August 2026

Country: United Kingdom

Imprint: Methuen Drama

Audience: Professional and scholarly

DIMENSIONS

Spine width: 24.0mm

Width: 138.0mm

Height: 214.0mm

Weight: 240g

Pages: 232

About the Author

Amanda Jane Olmstead (she/her) is a faculty member in the Theatre Arts Department at the University of Pittsburgh and in the School of Drama at Carnegie Mellon University in Pittsburgh, USA. She received her PhD in Theatre and Performance Studies from the University of Pittsburgh, her MA in Performance Studies from New York University, and her BA in Theatre with a minor in Dance from the Indiana University of Pennsylvania. Olmstead is also a choreographer for local Pittsburgh schools and the Pitt Stages Theatre Arts Department. Her publications include an article titled “Développé: Katherine Dunham’s Diasporic Dance” in the Studies in Musical Theatre Journal and a chapter titled “Dance as Narrative: Storytelling Through the Ensemble Body” for the collection titled Dance in Musical Theatre: A History of the Body in Movement.

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