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The Big Sleep

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The Big Sleep explores the making and legacy of Howard Hawks' 1946 film noir classic, adapted from Raymond Chandler's novel. It features iconic moments, such as Marlowe and Vivian practising kissing, and General Sternwood amidst hothouse orchids. The screenplay, co-written by William Faulkner, is famously complex and enigmatic. David Thomson details Hawks' unique approach, blending humour and joy into a genre defined by darkness.
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Format: Paperback / softback
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This book suits readers interested in film history, particularly fans of classic cinema, film noir, and adaptations of literary works. It also appeals to those fascinated by Hollywood's evolving style and storytelling techniques in the mid-20th century.

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"First published in 1997 by the British Film Institute"--Copyright page.

A study of Howard Hawks' mystifying 1946 noir classic The Big Sleep in the BFI Film Classics series.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The Big Sleep: Marlowe and Vivian practising kissing; General Sternwood shivering in a hothouse full of orchids; a screenplay, co-written by Faulkner, famously mysterious and difficult to solve. Released in 1946, Howard Hawks' adaptation of Raymond Chandler reunited Bogart and Bacall and gave them two of their most famous roles. The mercurial but ever-manipulative Hawks dredged humour and happiness out of film noir. 'Give him a story about more murders than anyone can keep up with, or explain,' David Thomson writes in his compelling study of the film, 'and somehow he made a paradise.'

When it was first shown to a military audience, The Big Sleep was coldly received. So, as Thomson reveals, Hawks shot extra scenes, 'fun' scenes, to replace one in which the film's murders had been explained, and in so doing left the plot unresolved. Thomson argues that, if this was accidental, it also signalled a change in the nature of Hollywood cinema: 'The Big Sleep inaugurates a post-modern, camp, satirical view of movies being about other movies that extends to the New Wave and Pulp Fiction.'

Series: BFI Film Classics

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Book Details

INFORMATION

ISBN: 9781839021596

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 12 November 2020

Country: United Kingdom

Imprint: BFI Publishing

Edition: 2nd edition

Illustration: 50 bw illus

Audience: Professional and scholarly

DIMENSIONS

Spine width: 8.0mm

Width: 132.0mm

Height: 188.0mm

Weight: 131g

Pages: 80

About the Author

David Thomson is a film critic and historian based in the United States. He is the author of books including The New Biographical Dictionary of Film (6th edition, 2014), and a regular contributor to The New York Times, The New Republic, Movieline, Film Comment and Salon.

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