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Colonization, Wilderness, and Spaces Between

Nineteenth-Century Landscape Painting in Australia and the United States
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Colonization, Wilderness, and Spaces Between is an engaging exploration of the intersections between art and the natural world, focusing on themes of colonization and the concept of wilderness. Through a multi-authored lens, this book delves into how artists represent spaces situated between established cultures and untamed landscapes, revealing the complexity and nuances within these environments.
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Format: Paperback / softback
$4799
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book may appeal to you if you're interested in exploring the intersections of art, history, and the environment, offering insights into how colonization and wilderness have shaped cultural landscapes. It delves into the spaces in between these elements, providing a thought-provoking analysis of visual culture and societal transformations.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

This volume of essays frames a comparative history of landscape painting in Australia and the United States through recent considerations of the Anthropocene, arguing that careful and deep analysis of specific nineteenth-century artworks reveals issues of environmental concern both past and present.

Carefully drawn from two symposia held at the Art Gallery of Western Australia in Perth in 2016 and at the Ian Potter Museum of Art, University of Melbourne the following year, the volume includes eight essays and a conversation between artists.

Colonization, Wilderness, and Spaces Between brings together the fresh insights of scholars and artists from Australia, the United Kingdom, and the United States and provides a resource for thinking critically about the historical, imperial, and environmental information that can be gleaned from looking closely at landscape paintings.

Book Details

INFORMATION

ISBN: 9780932171696

Publisher: Terra Foundation for the Arts,U.S.

Format: Paperback / softback

Date Published: 15 July 2020

Country: United States

Imprint: Terra Foundation for the Arts,U.S.

Illustration: 77 color plates

Contributors:

  • Edited by Kenneth Haltman
  • Edited by Richard Read
  • Foreword by Peter John Brownlee

Audience: Professional and scholarly

DIMENSIONS

Spine width: 18.0mm

Width: 203.0mm

Height: 254.0mm

Weight: 250g

Pages: 280

About the Author

Richard Read is emeritus professor of art history and senior honorary research fellow at the University of Western Australia. He is the author of Art and Its Discontents: the Early Life of Adrian Stokes. Kenneth Haltman is H. Russell Pitman Professor of art history at the University of Oklahoma. He has published critical translations of works by French phenomenologist Gaston Bachelard, and his publications include Looking Close and Seeing Far: Samuel Seymour, Titian Ramsay Peale, and the Art of the Long Expedition, 1818โ€“1823; Titian Pealeโ€™s Butterflies of North America; and a critical edition and translation from the French of The Evolution of Taste in American Collecting.ย 

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