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The Marquis de Sade and the Avant-Garde

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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Marquis de Sade and the Avant-Garde explores how the notorious libertine Marquis de Sade inspired twentieth-century surrealist and avant-garde artists, writers, and filmmakers. Alyce Mahon examines how Sade's provocative philosophy of sexual excess and defiance against law and religion became a source of artistic liberation that challenged oppressive social and political norms. The book delves into Sade's influence on a wide array of creatives, from early illustrated editions of his works to the writings of Guillaume Apollinaire and Anne Desclos, and from visual arts by AndrΓ© Masson and Man Ray to theatre, cinema, and multimedia art. Mahon also discusses feminist responses to Sade, revealing how his legacy encouraged artists to push the limits of the body and the body politic to imagine new, radical ways of living.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in arts and culture, particularly those keen on surrealism, avant-garde art, cultural history, and literary criticism. It appeals to academics, students, and general readers fascinated by the intersections of art, sexuality, politics, and philosophy.

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How the notorious author of The 120 Days of Sodom inspired the surrealists and other avant-garde artists, writers, and filmmakers

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

How the notorious author of The 120 Days of Sodom inspired the surrealists and other avant-garde artists, writers, and filmmakers.

The writings of the Marquis de Sade (1740-1814) present a libertine philosophy of sexual excess and human suffering that refuses to make any concession to law, religion, or public decency. In this groundbreaking cultural history, Alyce Mahon traces how artists of the twentieth century turned to Sade to explore political, sexual, and psychological terror, adapting his imagery of the excessively sexual and terrorised body as a means of liberation from systems of power.

Mahon shows how avant-garde artists, writers, dramatists, and filmmakers drew on Sade's 'philosophy in the bedroom' to challenge oppressive regimes and their restrictive codes and conventions of gender and sexuality. She provides close analyses of early illustrated editions of Sade's works and looks at drawings, paintings, and photographs by leading surrealists such as Andre Masson, Leonor Fini, and Man Ray. She explains how Sade's ideas were reflected in the writings of Guillaume Apollinaire and the fiction of Anne Desclos, who wrote her erotic novel, Story of O, as a love letter to critic Jean Paulhan, an admirer of Sade. Mahon explores how Sade influenced the happenings of Jean-Jacques Lebel, the theatre of Peter Brook, the cinema of Pier Paolo Pasolini, and the multimedia art of Paul Chan. She also discusses responses to Sade by feminist theorists such as Simone de Beauvoir, Susan Sontag, and Angela Carter.

Beautifully illustrated, The Marquis de Sade and the Avant-Garde demonstrates that Sade inspired generations of artists to imagine new utopian visions of living, push the boundaries of the body and the body politic, and portray the unthinkable in their art.

The Marquis de Sade and the Avant-Garde is a book that is a treasure house of information and inspiration, at the same time scholarly and completely engaging... An important work to add to your bookshelf; it will fascinate you, it will inspire you, and it will delight you. β€” Penelope Rosemont, Rain Taxi Review of Books

Perceptive. β€” Allan Graubard, Leonardo Reviews

[A] remarkable new book... In this deeply researched study, Mahon moves gracefully from a thorough exposition and analysis of Sade's life and work to his many critics.... She leaves her readers with the urgent reflection that Sade's function has unceasingly been to provoke an assessment of life's value. This is a timely and important book and should be widely read. β€” Katharine Conley, French Forum

A beautifully written and meticulously researched defense of another kind. Mahon deftly narrates the history of Sade the person as well as what she calls the "Sadean imagination"... Mahon's study of Sade and defense of his texts as central to the legacies of the avant-garde are, no doubt, well-argued and deeply researched, and they make for a compelling read; the book is a significant and important contribution. β€” Angelique Szymanek, CAA Reviews

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Honorable Mention for the Aldo and Jeanne Scaglione Prize for French and Francophone Studies, Modern Language Association.

Praised as a "treasure house of information and inspiration," this scholarly yet engaging work has been lauded by Penelope Rosemont in Rain Taxi Review of Books for its fascinating and inspiring content. Allan Graubard in Leonardo Reviews calls it "perceptive." Katharine Conley in French Forum highlights Mahon's graceful navigation between Sade's life, works, and critical legacy, calling it a "timely and important" book that provokes reflection on the value of life. The meticulous research and insightful approach offer a compelling defence of Sade's enduring cultural significance.

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Book Details

INFORMATION

ISBN: 9780691141619

Publisher: Princeton University Press

Format: Hardback

Date Published: 26 May 2020

Country: United States

Imprint: Princeton University Press

Illustration: 44 color + 56 b/w illus.

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Width: 155.0mm

Height: 235.0mm

Weight: 250g

Pages: 296

About the Author

Alyce Mahon is Professor of Modern and Contemporary Art History at the University of Cambridge. She is the author of Surrealism and the Politics of Eros, 1938-1968; Eroticism and Art; and Dorothea Tanning: A Surrealist World.

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