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Women Art Dealers

Creating Markets for Modern Art, 1940–1990
Brief Description
Women Art Dealers reveals the significant role played by women in the promotion and dissemination of modern and contemporary art to a global audience. It brings together a range of fascinating case studies of women-led galleries in the postwar period, challenging male-dominated histories by analysing the... Read More
Format: Paperback / softback
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Through a range of case studies, this book challenges male-dominant art market history by exploring how female dealers worked to promote international art and acted as key agents in the development of the modern global art market.

Through a range of case studies, this book challenges male-dominant art market history by exploring how female dealers worked to promote international art and acted as key agents in the development of the modern global art market.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Women Art Dealers reveals the significant role played by women in the promotion and dissemination of modern and contemporary art to a global audience. It brings together a range of fascinating case studies of women-led galleries in the postwar period, challenging male-dominated histories by analysing the work of internationally-minded female dealers who worked across continents and helped to develop transnational art networks.

The book is arranged in three parts, covering gallerists, dealers, and regional art scenes. Part 1 focuses on the promotion of postwar modern art by women gallerists. Part 2 examines the contributions by women art dealers toward the birth of new markets and media, such as video art and photography. Finally, Part 3 analyses case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal.

Each chapter study provides a historiographic profile of the gallery under discussion, and critical analysis is supported with a wide range of visual material. This includes portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways.

It will be vital reading for students of art market studies, as well as gallery and art market professionals.

Series: Contextualizing Art Markets

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Book Details

INFORMATION

ISBN: 9781350292420

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 24 July 2025

Country: United Kingdom

Imprint: Bloomsbury Visual Arts

Illustration: 86 bw illus

Contributors:

  • Edited by VΓ©ronique Chagnon-Burke
  • Edited by Caterina Toschi

Audience: Tertiary education

DIMENSIONS

Spine width: 20.0mm

Width: 156.0mm

Height: 234.0mm

Weight: 560g

Pages: 336

About the Author

VΓ©ronique Chagnon-Burke is an art historian, co-founder of Women Art Dealers Digital Archives, co-chair of The International Art Market Studies Association, section editor for the Art Market Dictionary, and former Director of Christie’s Education in New York (2002–2021).

Caterina Toschi is Associate Professor of contemporary art history and history of photography at the University for Foreigners of Siena, Italy. She is co-founder of Women Art Dealers Digital Archives and Senzacornice, and Associate Director of the Santa Maddalena Foundation.

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