What Truth Sounds Like

An electrifying and traumatic encounter in the sixties crystallised the fraught conflict between conscience and politics—between morality and power—in addressing race. In 1963, Attorney General Robert Kennedy sought out James Baldwin to explain the rage that threatened to engulf black America. Baldwin brought along some friends, including playwright Lorraine Hansberry, psychologist Kenneth Clark, and a valiant activist, Jerome Smith.

Kennedy walked away from the nearly three-hour meeting angry—that the black folk assembled didn't understand politics, and that they weren't as easy to talk to as Martin Luther King. But especially that they were more interested in witness than policy. Kennedy's anger quickly gave way to empathy, especially for Smith. "I guess if I were in his shoes...I might feel differently about this country." Kennedy set about changing policy—the meeting having transformed his thinking in fundamental ways.

Every big argument about race that persists to this day got a hearing in that room. And we grapple still with the responsibility of black intellectuals and artists to bring about social change. What Truth Sounds Like exists at the tense intersection of the conflict between politics and prophecy—of whether we embrace political resolution or moral redemption to fix our fractured racial landscape.