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Van Gogh in America

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Van Gogh in America explores how Vincent van Gogh's art was introduced and embraced in the United States, from its debut at the 1913 Armory Show to the landmark 1935 retrospective at New York's Museum of Modern Art. The book highlights the pivotal role of early American collectors, institutions like the Detroit Institute of Arts—which acquired Van Gogh's Self-Portrait in 1922—and various promoters of modernism who shaped the artist's reception and legacy in America.
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Format: Hardback
$9599
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This book is ideal for readers interested in art history, particularly those fascinated by Van Gogh's influence outside Europe and the development of modern art appreciation in the United States.

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A fascinating exploration of the introduction of Vincent van Gogh’s work to the United States one hundred years later

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

A fascinating exploration of the introduction of Vincent van Gogh’s work to the United States one hundred years later.

Vincent van Gogh (1853–1890) is one of the most iconic artists in the world, and how he became a household name in the United States is a fascinating, largely untold story. Van Gogh in America details the early reception of the artist’s work by American private collectors, civic institutions, and the general public from the time his work was first exhibited in the United States at the 1913 Armory Show up to his first retrospective in an American museum at the Museum of Modern Art, New York, in 1935, and beyond. The driving force behind this project, the Detroit Institute of Arts, was the very first American public museum to purchase a Van Gogh painting, his Self-Portrait, in 1922, and this publication marks the centenary of that event.

Leading Van Gogh scholars chronicle the considerable efforts made by early promoters of modernism in the United States and Europe, including the Van Gogh family, Helene Kröller-Müller, numerous dealers, collectors, curators, and artists, private and public institutions, and even Hollywood, to frame the artist’s biography and introduce his art to America.

Distributed for the Detroit Institute of Arts

Exhibition Schedule:

Detroit Institute of Arts
(October 2, 2022–January 22, 2023)

Book Details

INFORMATION

ISBN: 9780300247091

Publisher: Yale University Press

Format: Hardback

Date Published: 13 September 2022

Country: United States

Imprint: Yale University Press

Illustration: 244 color illus.

Contributors:

  • Edited by Jill Shaw

Audience: General / adult

DIMENSIONS

Width: 254.0mm

Height: 279.0mm

Weight: 250g

Pages: 264

About the Author

Jill Shaw is the head of the James Pearson Duffy Department of Modern and Contemporary Art and Rebecca A. Boylan and Thomas W. Sidlik Curator of European Art, 1850–1970, at the Detroit Institute of Arts.

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