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Trip-Hop
Series: Genre: A 33 1/3 Series
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Check link for latest rating. ( 55 ratings, 13 reviews)
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Trip-Hop
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for fans of 1990s music, cultural critics, and listeners eager to understand trip-hop's artistic and social context. It suits readers interested in music history and genre studies.
"Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
Trip-Hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums.
Your playlists will soon be overflowing. - Spectrum Culture
The music itself was an intoxication of beats, bass, and voice. It emerged amid the social tensions of the late 1980s, and as part of hip-hop’s rise to global dominance. It carried the innovations of Jamaican soundsystem culture, the sweet refuge of Lovers Rock, the bliss of club jazz dancefloors, and post-rave chill-out rooms. It went mainstream with Massive Attack, Portishead, Tricky, DJ Shadow, Kruder & Dorfmeister, and Björk; and with record labels like Ninja Tune and Mo’ Wax. To the artists’ despair, the music was tagged with a silly label and packaged as music for the boutique and the lounge; made respectable with awards and acclaim.
But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to trip-hop in its context of the weird 1990s: nostalgia and consumerism; pre-millennium angst and lo-fi technology; casual exoticism amid accelerating globalization and gentrification.
Series: Genre: A 33 1/3 Series
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Trip-Hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums. Your playlists will soon be overflowing. - Spectrum Culture The music itself was an intoxication of beats, bass, and voice. It...Paperback$3299Unit price /UnavailableAvailableShips in 4-6 weeks -
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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
A detailed, authoritative, and knowledgeable unpacking of a notoriously complex genre. The author balances nuanced critique with evident passion for the music, promising to greatly enrich your playlists. – Spectrum Culture
Book Details
INFORMATION
ISBN: 9781501373602
Publisher: Bloomsbury Publishing Plc
Format: Paperback / softback
Date Published: 17 November 2022
Country: United States
Imprint: Bloomsbury Academic
Audience: General / adult
DIMENSIONS
Spine width: 12.0mm
Width: 128.0mm
Height: 198.0mm
Weight: 200g
Pages: 176
About the Author
RJ Wheaton lives in Toronto and works in book publishing. He has been writing about music for twenty years and his work has appeared in outlets including The Oxford American and DaCapo’s Best Music Writing series. He is the author of Portishead’s Dummy (2011) in Bloomsbury’s 33 1/3 series.
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