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Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring

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Mark Berry delves into the complex political and religious ideas within Wagner's Ring cycle, analysing the text, drama, and the diverse intellectual influences on Wagner throughout the opera's creation. The book challenges simplistic interpretations that cast Wagner either as an optimistic Young Hegelian revolutionary or a disillusioned Schopenhauerian, revealing his agglomerative method of embedding radical ideas alongside philosophical influences to present a nuanced critique of nature, politics, economics, and metaphysics.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in arts and culture, especially those passionate about classical music, opera, and 19th-century political and religious philosophy. Scholars, students, and enthusiasts seeking a deeper understanding of Wagner's most ambitious work will find this book highly valuable.

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Mark Berry explores the political and religious ideas expounded in Wagner’s Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work’s lengthy gestation and composition, and the wealth of Wagner source material.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Mark Berry explores the political and religious ideas expounded in Wagner's Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work's lengthy gestation and composition, and the wealth of Wagner source material. Many of his writings are explicitly political in their concerns, for Wagner was emphatically not a revolutionary solely for the sake of art. Yet it would be misleading to see even the most 'political' tracts as somehow divorced from the aesthetic realm; Wagner's radical challenge to liberal-democratic politics makes no such distinction.

This book considers Wagner's treatment of various worlds: nature, politics, economics, and metaphysics, in order to explain just how radical that challenge is. Classical interpretations have tended to opt either for an 'optimistic' view of the Ring, centred upon the influence of Young Hegelian thought - in particular the philosophy of Ludwig Feuerbach - and Wagner's concomitant revolutionary politics, or for the 'pessimistic' option, removing the disillusioned Wagner-in-Swiss-exile from the political sphere and stressing the undoubtedly important role of Arthur Schopenhauer.

Such an 'either-or' approach seriously misrepresents not only Wagner's compositional method but also his intellectual method. It also sidelines inconvenient aspects of the dramas that fail to 'fit' whichever interpretation is selected. Wagner's tendency is not progressively to recant previous 'errors' in his oeuvre. Radical ideas are not completely replaced by a Schopenhauerian worldview, however loudly the composer might come to trumpet his apparent 'conversion'.

Nor is Wagner's truly an Hegelian method, although Hegelian dialectic plays an important role. In fact, Wagner is in many ways not really a systematic thinker at all (which is not to portray him as self-consciously unsystematic in a Nietzschean, let alone 'post-modernist' fashion). His tendency, rather, is agglomerative.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

John Deathridge of King's College London praises the book as indispensable for understanding Wagner's Ring as a profound sceptical work that raises enduring questions about human freedom and the natural world. Berry's detailed uncovering of Wagner's intellectual roots and the opera's continued relevance is highlighted as a major advancement in Wagner studies.

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Book Details

INFORMATION

ISBN: 9780754653561

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 28 December 2005

Country: United Kingdom

Imprint: Routledge

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 566g

Pages: 304

About the Author

Mark Berry is a Professor of Music and Intellectual History at Royal Holloway, University of London, UK.

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