Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring
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Treacherous Bonds and Laughing Fire: Politics and Religion in Wagne...
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
Mark Berry explores the political and religious ideas expounded in Wagnerโs Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the workโs lengthy gestation and composition, and the wealth of Wagner source material.
Mark Berry explores the political and religious ideas expounded in Wagner's Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work's lengthy gestation and composition, and the wealth of Wagner source material. Many of his writings are explicitly political in their concerns, for Wagner was emphatically not a revolutionary solely for the sake of art. Yet it would be misleading to see even the most 'political' tracts as somehow divorced from the aesthetic realm; Wagner's radical challenge to liberal-democratic politics makes no such distinction.
This book considers Wagner's treatment of various worlds: nature, politics, economics, and metaphysics, in order to explain just how radical that challenge is. Classical interpretations have tended to opt either for an 'optimistic' view of the Ring, centred upon the influence of Young Hegelian thought - in particular the philosophy of Ludwig Feuerbach - and Wagner's concomitant revolutionary politics, or for the 'pessimistic' option, removing the disillusioned Wagner-in-Swiss-exile from the political sphere and stressing the undoubtedly important role of Arthur Schopenhauer.
Such an 'either-or' approach seriously misrepresents not only Wagner's compositional method but also his intellectual method. It also sidelines inconvenient aspects of the dramas that fail to 'fit' whichever interpretation is selected. Wagner's tendency is not progressively to recant previous 'errors' in his oeuvre. Radical ideas are not completely replaced by a Schopenhauerian worldview, however loudly the composer might come to trumpet his apparent 'conversion'.
Nor is Wagner's truly an Hegelian method, although Hegelian dialectic plays an important role. In fact, Wagner is in many ways not really a systematic thinker at all (which is not to portray him as self-consciously unsystematic in a Nietzschean, let alone 'post-modernist' fashion). His tendency, rather, is agglomerative.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
John Deathridge of King's College London praises the book as indispensable for understanding Wagner's Ring as a profound sceptical work that raises enduring questions about human freedom and the natural world. Berry's detailed uncovering of Wagner's intellectual roots and the opera's continued relevance is highlighted as a major advancement in Wagner studies.
Book Details
INFORMATION
ISBN: 9780754653561
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 28 December 2005
Country: United Kingdom
Imprint: Routledge
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 566g
Pages: 304
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About the Author
Mark Berry is a Professor of Music and Intellectual History at Royal Holloway, University of London, UK.
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