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Thinking through Graphic Design History

Challenging the canon
Brief Description
Graphic design has a paradoxical relationship to history. While it claims to promote originality and innovation—ideas that emphasise the new and unique—design practice is deeply embedded in previous ideals. Too often, design students encounter the past in brief visual impressions which seduce them to imitate form... Read More
Format: Paperback / softback
$5499
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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Graphic design has a paradoxical relationship to history. While it claims to promote originality and innovation—ideas that emphasise the new and unique—design practice is deeply embedded in previous ideals. Too often, design students encounter the past in brief visual impressions which seduce them to imitate form rather than engage with historical contexts. Even though it has claimed to be objective and even comprehensive, graphic design history has focused largely on individual careers and Eurocentric achievements.

Yet the past swells with untapped potential. Graphic design history can serve the field of today and tomorrow, but its narratives require updates. History, like design, is always changing—and like design, history is driven by present-day questions. Thinking through Graphic Design History shows how students and practising designers can enrich their work by thinking historically about design.

With thoughtful analyses, stimulating creative prompts, inspiring case studies, and perspectives from designers all over the world, this book challenges our traditional understanding of graphic design history, and the very notion of the design canon, offering ways to shape socially engaged, critical practices.

Book Details

INFORMATION

ISBN: 9781350327207

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 20 February 2025

Country: United Kingdom

Imprint: Bloomsbury Visual Arts

Illustration: 150 colour illus

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 20.0mm

Width: 188.0mm

Height: 244.0mm

Weight: 932g

Pages: 336

About the Author

Aggie Toppins is an Associate Professor and Chair of Design at the Sam Fox School of Design and Visual Arts at Washington University in St. Louis, USA. She writes and practices design at the intersection of critical histories,social justice,and studio-based making.

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