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The Silent Musician

Why Conducting Matters
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( 104 ratings, 12 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Silent Musician explores the enigmatic role of the conductor in classical music, addressing common questions such as whether an orchestra can perform without one and how much influence a conductor truly has. This book is not a manual or history of conducting but offers insights for anyone curious about what conductors do and why their presence is vital.
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Format: Paperback / softback
$2799
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for classical music enthusiasts and anyone intrigued by the art of conducting, this book demystifies the conductor's role without requiring prior musical knowledge.

Book Hero thinking about your next read

A unique insight into a conductor's world.

A unique insight into a conductor's world

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

A conductor is one of classical music's most recognisable but misunderstood figures, attracting so many questions:

'Surely orchestras can play perfectly well without you?'

'Do you really make any difference to the performance?'

'Are the musicians even watching you?'

The Silent Musician is not a manual for conductors, nor a history of conducting. It is for all who wonder what conductors actually do, and why they matter.

Book Details

INFORMATION

ISBN: 9780571337910

Publisher: Faber & Faber

Format: Paperback / softback

Date Published: 05 September 2019

Country: United Kingdom

Imprint: Faber & Faber

Edition: Main

Audience: General / adult

DIMENSIONS

Spine width: 17.0mm

Width: 130.0mm

Height: 198.0mm

Weight: 202g

Pages: 272

About the Author

Mark Wigglesworth has been conducting for thirty years, working with over a hundred orchestras and collaborating with many of the world's finest orchestra musicians, soloists, singers, and directors in venues ranging from Vienna's Musikverein to New York's Carnegie Hall, the Sydney Opera House to the Hollywood Bowl, and the Royal Opera House, Covent Garden to the Metropolitan Opera, New York. He has written articles for The Guardian and The Independent, made a six-part BBC TV series entitled 'Everything to Play For,' and recorded a highly acclaimed cycle of Shostakovich symphonies. In 2017 he won the Olivier Award for Outstanding Achievement in Opera.

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