The Routledge Companion to Global Photographies

In response to widespread demand for more knowledge and insight about contemporary photographies beyond Western centres of production and dissemination, this volume provides a transnational discussion, grounded in dialogue between authors and editors from diverse locations and contexts.

Ecological and decolonial discourses around photography reveal the medium’s global entanglements: images produced on one side of the globe are the result of labours which span its full surface. At the same time, the multiplicity of approaches and understandings of the photograph reveal that, even though it might seem like a universal language, we utilise its tools to radically different ends.

The volume explores issues surrounding cultural translation, photography’s response to climate change, decolonial practices, network formation, new materialities, identities, and the role of photobooks. It also provides in-depth surveys and case studies of global practices and theories, alongside interviews and roundtable discussions with key figures whose perspectives illuminate the contemporary field.

This groundbreaking collection is an essential resource for academics and students working in or with photography, contextual studies, history, and theory, but also media and cultural studies more broadly.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.