The Piranesi Effect
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The work of Italian printmaker Giovanni Battista Piranesi (17201778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne.
The work of Italian printmaker Giovanni Battista Piranesi (1720-1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne.
The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi's work throughout the years. The book brings together Australian and international experts who investigate Piranesi's world and its connections to the study of art and the practice of artists today.
From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.
Book Details
INFORMATION
ISBN: 9781742234267
Publisher: NewSouth Publishing
Format: Hardback
Date Published: 03 August 2015
Country: Australia
Imprint: NewSouth Publishing
Contributors:
- Edited by Kerrianne Stone
- Edited by Gerard Vaughan
Audience: General / adult, Professional and scholarly
DIMENSIONS
Spine width: 25.0mm
Width: 287.0mm
Height: 223.0mm
Weight: 1550g
Pages: 336
Collections
About the Author
Kerrianne Stone is the Curator, Prints, at the Baillieu Library, University of Melbourne repository of the first Paris edition of Piranesi's work. She has worked with several collections across museums and galleries in Melbourne. Gerard Vaughan is Director of the National Gallery of Australia. For 13 years he was director of the National Gallery of Victoria, before retiring to take up a research professorship in The Australian Institute of Art History at Melbourne University. He has a special interest in the rise of neoclassicism in late eighteenth-century Europe.
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