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The Photograph and Australia

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Photograph and Australia traces the evolution of photography from the 19th century through to the digital age, revealing how the medium shaped the nation's identity. By exploring thematic connections across time, place and people, it showcases works by renowned Australian photographers alongside historical and lesser-known images, highlighting photography's role in reflecting and influencing settler and Indigenous relationships.
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Format: Hardback
$8500
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This richly illustrated volume is ideal for photography enthusiasts, historians, scholars of Australian culture, and anyone interested in the visual development of the nation.

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The Photograph and Australia will not only be an important addition to the scholarship on Australian photography but a valued addition to the bookshelves of photography experts and lovers of photography alike.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

From its beginnings in the 19th century to today's digital revolution, The Photograph and Australia investigates how photography was harnessed to create the idea of a nation. It reveals how Australia's view of the world and itself has been changed by the advent of photography, which paralleled the development of the colonies and the relationships between settlers and Indigenous Australians.

Taking a thematic approach, the book encourages the reader to explore connectionsβ€”between different forms of photography, people and place, past and present. It features renowned artists such as Richard Daintree, Charles Bayliss, Frank Hurley, Harold Cazneaux, Olive Cotton, Max Dupain, Sue Ford, Carol Jerrems, Rosemary Laing, Tracey Moffatt, Ricky Maynard, Patrick Pound, and Robyn Stacey, among many others. Their work is reproduced alongside that of unknown photographers in cartes de visite, government and family albums, and early scientific and astronomical photography.

Above all, this publication reminds the reader of the sense of wonder that the photograph can still induce with its ability to capture both things of the world and those of the imagination.

Visually rich with fine reproductions, The Photograph and Australia will not only be an important addition to the scholarship on Australian photography but also a valued addition to the bookshelves of photography experts, lovers of photography, and history enthusiasts.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

New York Times Book Review praises the book as "a noble attempt to account for the continent's entire photographic history, little of which is well known to the rest of the world."

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Book Details

INFORMATION

ISBN: 9781741741162

Publisher: Art Gallery of New South Wales

Format: Hardback

Date Published: 20 March 2015

Country: Australia

Imprint: Art Gallery of New South Wales

Contributors:

  • With Daniel Palmer
  • With Jane Lydon
  • With Michael Aird
  • With Geoffrey Batchen
  • With Katherine Davidson

Audience: General / adult

DIMENSIONS

Width: 241.0mm

Height: 292.0mm

Weight: 1905g

Pages: 304

About the Author

Judy Annear is senior curator, photographs at the Art Gallery of New South Wales. Geoffrey Batchen is professor of art history at Victorial University. Michael Aird works as a curator, researcher, and writer in the area of Aboriginal arts and cultural heritage. Kathleen Davidson is an independent photo scholar. Martyn Jolly is head of photography and media arts at the ANU School of Art. Jane Lydon is an Australian Research Council Fellow athe the Wesfarmers Chair of Australian History at the University of Western Australia. Daniel Palmer is associate dean of graduate research and senior lecturer in the art history and theory program at MADA, Monash Art Design and Architecture.

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