The Modern Embroidery Movement
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The Modern Embroidery Movement
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
WINNER OF A CHOICE OUTSTANDING ACADEMIC TITLE AWARD 2018
In the early twentieth century, Marguerite Zorach and Georgiana Brown Harbeson were at the forefront of the modern embroidery movement in the United States. In the first scholarly examination of their work and influence, Cynthia Fowler explores the arguments presented by these pioneering women and their collaborators for embroidery to be considered as art.
Using key exhibitions and contemporary criticism, The Modern Embroidery Movement focuses extensively on the individual work of Zorach and Brown Harbeson, casting a new light on their careers. Documenting a previously marginalised movement, Fowler brings together the history of craft, art, and womenโs rights, and firmly establishes embroidery as a significant aspect of modern art.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Cynthia Fowler's book is praised for its rigorous and insightful analysis. Angie Wyman from the Royal School of Needlework describes it as a key text on American modern embroidery. Ele Carpenter from Goldsmiths emphasises the book's essential contribution to art history, particularly in recognising embroidery's complex relation to art, craft, and decoration within a gendered context.
Book Details
INFORMATION
ISBN: 9781350129146
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 23 January 2020
Country: United Kingdom
Imprint: Bloomsbury Visual Arts
Illustration: 70 BW illus + 16pp colour plates
Audience: Tertiary education
DIMENSIONS
Spine width: 14.0mm
Width: 156.0mm
Height: 232.0mm
Weight: 520g
Pages: 280
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About the Author
Cynthia Fowler is a feminist art historian and professor of art at Emmanuel College, Boston. She received her PhD from the University of Delaware in 2002 and also holds fellowships from the Smithsonian Institute, the Winterthur Museum, and the National Endowment for the Humanities. Previous work includes Hooked Rugs: Encounters in American Modern Art, Craft and Design and Locating American Art: Finding Meaning in Art Museums.
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