The Isley Brothers' 3+3
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The Isley Brothers' 3+3
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See more"Discusses America's most tenured rock and roll band (of 66 years), their breakout masterpiece album, 3+3, and the twists and turns of being a foundational Black act in rock music navigating institutional racism in the music business"--
Discusses America’s most tenured rock and roll band (of 66 years), their breakout masterpiece album, 3+3, and the twists and turns of being a foundational Black act in rock music navigating institutional racism in the music business.
The Isley Brothers' 3+3 dissects The Isleys’ 50-year-old undisputed masterwork, an album that firmly established their music dynasty on a global scale, as well as heralding the boldest run of genre-defiant albums of their 67-year career.
The 1973 watershed was their first multiplatinum release and is significant as a rare, crossover record by a Black act that struck a chord with urban, rock, and pop consumers, despite the schisms between audiences due to bias-driven media and industry marketing.
The book looks at the album from all angles: from The Isleys’ early career to their influence on rock and rollers both Black and White, from the twists and turns of having national hits without national recognition, on to their decision to form T-Neck Records and the group’s challenges navigating a music industry that racially codified music and hampered Black artists from universal acclaim and compensations.
Finally, a summation of the decades follows The Isleys' run and its ups and downs, with a fast-forward to where the group is now after 67 years.
Series: 33 1/3
View allBook Details
INFORMATION
ISBN: 9798765106716
Publisher: Bloomsbury Publishing Plc
Format: Paperback / softback
Date Published: 02 May 2024
Country: United States
Imprint: Bloomsbury Academic
Audience: General / adult, Professional and scholarly
DIMENSIONS
Spine width: 12.0mm
Width: 120.0mm
Height: 162.0mm
Weight: 140g
Pages: 160
About the Author
Darrell M. McNeill is a Santa Barbara-based producer, musician, composer, arranger, contractor, promoter, critic, and journalist. He is director of operations for the Black Rock Coalition (BRC), a grassroots 501c3 advocacy, promotion and production nonprofit for artists of color who defy the music industry’s stereotypical constructs regarding Black music, and has written for publications such as The Village Voice, VIBE, SPIN, and RAVERS.
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