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The French New Wave

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( 26 ratings, 3 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The French New Wave is a vital anthology gathering writings by and about pivotal critics and filmmakers of this groundbreaking cinematic movement. It features foundational essays by figures like François Truffaut and André Bazin, alongside contributions from Jean-Luc Godard, Claude Chabrol, and Alexandre Astruc. The updated edition expands its scope to include writings by women critics and filmmakers, examining issues of gender, representation, and the political context of the Algerian War. New case studies on Godard's À bout de souffle and Agnès Varda's films enrich this comprehensive resource, accompanied by insightful introductions from Ginette Vincendeau.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This anthology is ideal for cinephiles, film scholars, students of film studies, and anyone fascinated by the cultural and political impact of the French New Wave movement.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description
The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as François Truffaut's A Certain Tendency in French Cinema and André Bazin's La Politique des auteurs, as well as writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Évelyne Sullerot, Michèle Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7. The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Sight & Sound praised the book as "an indispensable point of reference for anyone interested in the movement," welcoming the expanded new edition for its imaginative arrangement of carefully selected stills. Scope noted that the reprinted essays "encapsulate an exciting time of cultural change with their fierce opinions and alternative approach towards reading film."

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Book Details

INFORMATION

ISBN: 9781839022296

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 06 October 2022

Country: United Kingdom

Imprint: BFI Publishing

Edition: 3rd edition

Illustration: 50 bw illus

Contributors:

  • Edited by Ginette Vincendeau
  • Edited by Peter Graham

Audience: Tertiary education

DIMENSIONS

Spine width: 14.0mm

Width: 158.0mm

Height: 232.0mm

Weight: 558g

Pages: 320

About the Author

Peter Graham (1939-2020) enjoyed a varied career as a film critic, food writer, translator and film-maker. His publications include A Dictionary of the Cinema (1964 and 1968), Classic Cheese Cookery (1988 and 2004) and Mourjou: The Life and Food of an Auvergne Village (1998 and 2004).

Ginette Vincendeau is Professor of Film Studies and Director of the Film Studies Department at King's College London, UK. Her recent publications include Paris in the Cinema (co-edited with Alastair Phillips, BFI Publishing, 2018), La Haine (2005) and Jean-Pierre Melville: An American in Paris (BFI Publishing, 2003). She is a regular film reviewer and contributor to Sight & Sound, BBC Radio 3 and 4 and the BBC World Service.

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