The Folk
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The Folk
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
Who are the folk in folk music? This book traces the musical culture of these elusive figures in Britain and the US during a crucial period of industrialisation from 1870 to 1930, and beyond to the contemporary alt-right.
Drawing on a broad, interdisciplinary range of scholarship, The Folk examines the political dimensions of a recurrent longing for folk culture and how it was called upon for radical and reactionary ends at the apex of empire. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, nationality, the poetics of nostalgia, and the pre-history of European fascism.
Deeply researched and beautifully written, Ross Cole provides us with a biography of a people who exist only as a symptom of the modern imagination, and the archaeology of a landscape directing flows of global populism to this day.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Music & Letters calls it "a quite brilliant deconstruction of the entire historiography of βfolkβ, with a compelling and irrefutable thesis." The review praises Cole's work as a convincing challenge to traditional views and states the book will be indispensable for anyone engaging with folk music scholarship. It warns the book should provoke critical reflection among ethnomusicologists regarding interpretative frames and methods.
Book Details
INFORMATION
ISBN: 9780520383746
Publisher: University of California Press
Format: Paperback / softback
Date Published: 07 September 2021
Country: United States
Imprint: University of California Press
Illustration: 25 b-w illustrations
Audience: Professional and scholarly
DIMENSIONS
Spine width: 18.0mm
Width: 152.0mm
Height: 229.0mm
Weight: 363g
Pages: 276
About the Author
Ross Cole is a research fellow at the University of Cambridge. His writing on a range of topics appears in leading journals including Ethnomusicology, Popular Music, and ASAP/Journal.
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