The Bloomsbury Handbook of Popular Music and Youth Culture
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The Bloomsbury Handbook of Popular Music and Youth Culture
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See more"Offers a critical overview of key themes and debates in the field of popular music and youth culture studies"--
Offers a critical overview of key themes and debates in the field of popular music and youth culture studies.
The Bloomsbury Handbook of Popular Music and Youth Culture provides a comprehensive and fully up-to-date overview of key themes and debates relating to the academic study of popular music and youth culture.
While this is a highly popular and rapidly expanding field of research, there currently exists no single-source reference book for those interested in this topic.
The handbook is comprised of 32 original chapters written by leading authors in the field of popular music and youth culture and covers a range of topics including: theory; method; historical perspectives; genre; audience; media; globalization; ageing and generation.
Series: Bloomsbury Handbooks
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Praised as an essential resource, this handbook is lauded for its breadth and depth. Matthew Worley highlights its role as a vital entry point for students and academics alike. Eric Charry calls it a most welcome and critical examination of ideas and histories shaping the field. Peter Mills appreciates its readability and its rich insights for both scholars and a wider audience.
Book Details
INFORMATION
ISBN: 9781501333699
Publisher: Bloomsbury Publishing Plc
Format: Hardback
Date Published: 26 January 2023
Country: United States
Imprint: Bloomsbury Academic
Contributors:
- Edited by Professor Andy Bennett
Audience: Tertiary education
DIMENSIONS
Spine width: 44.0mm
Width: 180.0mm
Height: 258.0mm
Weight: 1500g
Pages: 704
About the Author
Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. A leading international figure in sociological studies of popular music and youth culture, he has written and edited numerous books including Popular Music and Youth Culture, Music, Style and Aging, and Music Scenes. He was Editor-in-Chief of the Journal of Sociology between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture.
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