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The Art of Fact in the Digital Age

An Anthology of New Literary Journalism
Brief Description
The Art of Fact in the Digital Age is a showcase of the most powerful and moving journalism of the past 25 years. Selections include stories originally published in established bastions of literary journalism, such as The New York Times, The Atlantic, and The New Yorker,... Read More
Format: Paperback / softback
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An anthology that updates The Art of Fact: A Historical Anthology of Literary Journalism, featuring works that represent milestones from the late 1990s to the present, particularly achievements in longform storytelling with a strong digital presence.

An anthology that updates The Art of Fact: A Historical Anthology of Literary Journalism, featuring works that represent milestones from the late 1990s to the present, particularly achievements in longform storytelling with a strong digital presence.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The Art of Fact in the Digital Age is a showcase of the most powerful and moving journalism of the past 25 years.

Selections include stories originally published in established bastions of literary journalism, such as The New York Times, The Atlantic, and The New Yorker, as well as those from specialised and online publications like Runnerโ€™s World and The Atavist.

It features writers of extraordinary style, including Carina del Valle Schorske, Brian Phillips, and Jia Tolentino, as well as those who have profoundly influenced public discourse on the 21st centuryโ€™s most urgent issues. These include Mitchell S. Jackson, Clint Smith, and Ta-Nehisi Coates on race; Susan Dominus and Luke Mogelson on migration; and Kathryn Schulz and David Wallace-Wells on environmental threats. It even includes one story that expanded literary journalismโ€™s repertoire into audio, featuring This American Life.

This collection, assembled for students, scholars, and practitioners alike, also charts the evolution of digital longform journalism through its greatest achievements. It highlights the transition of readers to screens and the integration of multimedia with words in service of meaning.

The art of fact in the 21st century opened new ranges of expression to address such issues, while uniquely bearing the imprint of their generationโ€™s digital cultures and technologies. Although many forces compete for attention in the digital age, story triumphs. The works in this anthology show us why.

Book Details

INFORMATION

ISBN: 9798765107850

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 16 May 2024

Country: United States

Imprint: Bloomsbury Academic

Contributors:

  • Edited by Jacqueline Marino
  • Edited by David O. Dowling

Audience: Tertiary education

DIMENSIONS

Spine width: 18.0mm

Width: 152.0mm

Height: 228.0mm

Weight: 402g

Pages: 264

About the Author

Jacqueline Marino is Professor in Kent State Universityโ€™s School of Media and Journalism, USA. She is also a writer and a national Edward R. Murrow Award-winning audio journalist. Her articles and essays have appeared in many publications, including Cleveland Magazine and The Washington Post. She authored White Coats: Three Journeys Through an American Medical School (2012) and co-edited From Car Bombs to Cookie Tables: The Youngstown Anthology (2020), now in its second edition.

David O. Dowling is Professor in the School of Journalism & Mass Communication at the University of Iowa, USA. He is the author of ten books and numerous articles on cultural production and creative industries from print to digital media. Among his most recent books are Podcast Journalism: The Promise and Perils of Audio Reporting (forthcoming), A Delicate Aggression: Savagery and Survival in the Iowa Writersโ€™ Workshop (2019), and Immersive Longform Storytelling: Media, Technology, Audience (2019).

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