The African Gaze
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The African Gaze
An accessible yet critical introduction to African photography and film from the mid-twentieth century to present day.
An accessible yet critical introduction to African photography and cinema from the mid-20th century to the present day
An accessible yet critical introduction to African photography and cinema from the mid-20th century to the present day.
The African Gaze is a comprehensive exploration of postcolonial and contemporary photography and cinema from Africa. Drawing from archival imagery and documents, interviews with the photographers and filmmakersβoccasionally incorporating insights from family members or close associates of deceased artistsβand contributions from writers, scholars, and curators, it provides a thorough introduction to African moving and still imagery.
This is a hugely important and timely publication. Engagement with Black and African histories is stronger than ever before (and long overdue). The major names of African photography, such as Malick Sidibé, Sanlé Sory, and Seydou Keïta, have become highly collectible in the art market, while African cinema, pioneered by filmmakers like Ousmane Sembène in 1960s Senegal, is now recognised for its creative innovation and storytelling.
For anyone drawn to African photography and film, this book will provide an exciting and accessible overview.
Featuring interviews with Samuel Fosso and Souleymane CissΓ©.
Book Details
INFORMATION
ISBN: 9780500025390
Publisher: Thames & Hudson Ltd
Format: Hardback
Date Published: 25 July 2024
Country: United Kingdom
Imprint: Thames & Hudson Ltd
Illustration: 150 Illustrations, black and white; 130 Illustrations, color
Audience: General / adult
DIMENSIONS
Width: 223.0mm
Height: 280.0mm
Weight: 1720g
Pages: 288
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About the Author
Amy Sall is a writer, independent researcher, and collector-archivist based in New York. She is the founding editor of SUNU: Journal of African Affairs, Critical Thought + Aesthetics, a pan-African, post-disciplinary platform exploring the artistic, cultural and intellectual production of Africa and the diaspora across time and space. Amy holds a master's degree in Human Rights Studies from Columbia University. As a Part-time Lecturer at The New School, New York, she conceived and taught two courses, 'The African Gaze: Visual Culture of Postcolonial Africa and the Social Imagination' and 'Third Cinema & the Counter Narratives'. Her private collection, The Sall Collection, is an assemblage of studio and other vernacular photography, printed matter and ephemera with a pan-African focus. Amy's work and interests explore the theory and praxis of cultural sovereignty, cultural preservation, anti-/de-/post-coloniality, human rights, visual culture and the archive.
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