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Tarkovsky

Films, Stills, Polaroids & Writings
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This book explores the life and work of Andrey Tarkovsky, a seminal Russian filmmaker renowned for his metaphysical themes and visionary cinematography. It presents extensive stills from his major films, including Ivan's Childhood, Andrei Rublev, Solaris, Mirror, Stalker, Nostalgia, and The Sacrifice, alongside synopses and production details. Contributions from notable artists and excerpts from Tarkovsky's own writings offer deep insight into his poetic and philosophical approach to filmmaking, described as 'sculpting in time'.
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Format: Hardback
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This book is ideal for students of film, enthusiasts of arthouse cinema, and admirers of Tarkovsky's influential work seeking a comprehensive and visually rich resource on his artistic legacy.

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A monograph on Andrei Tarkovsky, Russian filmmaker, writer, film editor and film theorist of extraordinary influence and cinematic vision.

A monograph on Andrey Tarkovsky, Russian filmmaker, writer, film editor and film theorist of extraordinary influence and cinematic vision

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films—Ivan's Childhood, Andrei Rublev, Solaris, Mirror, and Stalker—in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985.

Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatic structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel.

This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was "the greatest, the one who invented a new language."

Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as "sculpting in time." The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

Book Details

INFORMATION

ISBN: 9780500022597

Publisher: Thames & Hudson Ltd

Format: Hardback

Date Published: 07 March 2019

Country: United Kingdom

Imprint: Thames & Hudson Ltd

Contributors:

  • Edited by Lothar Schirmer
  • Edited by Andrey A. Tarkovsky
  • Edited by Hans-Joachim Schlegel

Audience: General / adult

DIMENSIONS

Width: 190.0mm

Height: 240.0mm

Weight: 1180g

Pages: 288

About the Author

Andrey A. Tarkovsky is the son of filmmaker Andrei Tarkovsky. Hans-Joachim Schlegel is a film historian and the editor and translator of the writings of Sergei Eisenstein and Andrei Tarkovsky. Lothar Schirmer is a German publisher and art collector.

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