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Samuel Fosso: AUTOPORTRAIT

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SAMPL FOSSO: AUTOPORTRAIT is a comprehensive exploration of the acclaimed photographer's career, showcasing his evolving self-portraiture from the 1970s to contemporary works. Fosso imaginatively explores identity, gender, and postcolonial themes, performing roles from African cultural archetypes to iconic figures of the liberation and Civil Rights movements like Angela Davis and Nelson Mandela. The book situates his innovative practice within the legacy of West African studio photography while highlighting his unique conceptual approach.
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Format: Hardback
$16500
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in contemporary African art, photography, and cultural identity, as well as those studying postcolonial visual culture and self-representation in the arts.

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Autoportrait is the first comprehensive survey of the multifaceted oeuvre of Nigerian photographer Fosso. Since the mid-1970s, he has focused on self-portraiture and performance, envisioning variations of identity in the postcolonial era.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

AUTOPORTRAIT is the first comprehensive survey of Samuel Fosso's multifaceted oeuvre. Since the mid-1970s, the artist has focused on self-portraiture and performance, envisioning variations of identity in the postcolonial era.

From Fosso's early self-portraits in black-and-white from the 1970s to his recent, continually inventive exercises in self-presentation, highlights include the vibrant series "Tati" (1997), in which he playfully inhabits African and African American characters and archetypes; and the magisterial portraits of "African Spirits" (2008), where he poses as icons of the pan-African liberation and Civil Rights movements, such as Angela Davis, Martin Luther King, Jr., Patrice Lumumba and Nelson Mandela.

This landmark monograph demonstrates Fosso's unique departure from the traditions of West African studio photography, established in the 1950s and '60s by modern masters Seydou KeΓ―ta and Malick SidibΓ©. By charting his conceptual practice of self-portraiture, and sustained engagement with notions of sexuality, gender and self-representation, this book reveals an unprecedented photographic projectβ€”one that consistently reflects themes in global visual culture, and covers the range of expressive applications of photography.

Taking pictures is for me a way of liberating myself from the suffering of childhood, from illness, war, everything. I always believed that my life would be pushed aside by other people's, but photography has given me a second life. It's made all lives possible for me. - Samuel Fosso

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised for capturing complex layers of race, gender and politics, Samuel Fosso's work is hailed as deeply penetrating and flexible. Reviewers note his ability to merge personal and political narratives with exceptional meaning. One reviewer calls it surprising the book was not published earlier, while others admire Fosso's profound engagement in self-confrontation and sociopolitical history. The book was a finalist for the Lucie Photobook Prize Award.

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Book Details

INFORMATION

ISBN: 9783958296121

Publisher: Steidl Publishers

Format: Hardback

Date Published: 09 July 2020

Country: Germany

Imprint: Steidl Verlag

Illustration: 79 Illustrations

Audience: General / adult

DIMENSIONS

Width: 280.0mm

Height: 240.0mm

Weight: 2310g

About the Author

Born in Kumba in Cameroon in 1962, Samuel Fosso fled Nigeria and the Biafra War, and sought refuge in Bangui in the Central African Republic. He opened his own commercial photography studio there at the age of 13. Alongside his portrait work Fosso began a series of self-portraits, a mode of representation he would never abandon. Staging his personal identity, his work gradually took on a universal social and political dimension, as in his celebrated series "Tati" (1997) and "African Spirits" (2008). Fosso's work is held in collections such as the Tate, London; the MusΓ©e National d'Art Moderne, Paris; The Walther Collection, New York; and the Museum of Modern Art, New York.

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