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Russia's New Fin de Siècle

Contemporary Culture between Past and Present
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Russia's New Fin de Siècle explores contemporary Russian culture at the turn of the 21st century, examining cutting-edge visual artists like the controversial Alexei Gintoft-Belyaev, literature in the context of globalization, and public spaces such as monuments and parks as sites of cultural memory. With contributions from scholars across the UK, Sweden, Russia, and the US, the book investigates how Russia integrates European arts and culture while referencing its Soviet past, addressing the impact of Soviet discourse on current artistic expression.
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Format: Paperback / softback
$5399
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This volume is ideal for students, scholars and readers interested in cultural studies, post-Soviet history, contemporary Russian art, literature, and European integration.

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Investigates Russian culture at the turn of the twenty-first century, with scholars from Britain, Sweden, Russia and the United States exploring aspects of culture with regards to one overarching question: What is the impact of the Soviet discourse on contemporary culture?

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

This book is about contemporary Russian culture in the 21st century. It explores some cutting-edge visual artists, including the scandal-surrounded Alexei Gintoft-Belyaev, winner of the Kandinsky Prize. It discusses Russian literature of the 21st century in the context of globalization.

It studies monuments, parks and leisure facilities, and advertising, as sites of memory. This volume investigates Russian culture at the turn of the twenty-first century, with scholars from Britain, Sweden, Russia, and the United States exploring aspects of culture with regards to one overarching question: What is the impact of the Soviet discourse on contemporary culture?

This question comes at a time when Russia is concerned with integrating itself into European arts and culture while enhancing its uniqueness through references to its Soviet past. Thus, contributions investigate the phenomenon of post-Soviet culture and try to define the relationship of contemporary art to the past.

Russia's New Fin de Siècle offers profound insights into the continual evolution of Russian culture, providing a platform for understanding its current dynamics and future direction.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

'Writers and filmmakers attempt not to revive the past but instead to open up new spaces for interpreting the past through the present. Summing Up: Recommended.' – Choice, A. J DeBlasio

'Beumers's is the first coherent multidisciplinary volume that looks at post-Soviet cultural production at the turn of the twenty-first century... successfully updates the content of her predecessor's work.' – Larissa Rudova, The European Legacy

'The notion of Russian fin de siècle has a special place in academic discourse... the book’s ambition is to begin to reflect on the fluid post-Soviet cultural moment.'

Book Hero reading reviews

Book Details

INFORMATION

ISBN: 9781841507309

Publisher: Intellect

Format: Paperback / softback

Date Published: 15 August 2013

Country: United Kingdom

Imprint: Intellect Books

Contributors:

  • Edited by Birgit Beumers

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 14.0mm

Width: 178.0mm

Height: 229.0mm

Weight: 435g

Pages: 200

About the Author

Birgit Beumers is professor of film studies at Aberystwyth University. Her publications include Directory of World Cinema: Russia, A History of Russian Cinema, and, with Mark Lipovetsky, Performing Violence: Literary and Theatrical Experiments of New Russian Drama. She is also the editor of Intellect's journal Studies in Russian and Soviet Cinema.

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