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Reformations

From High Renaissance to Mannerism in the new West of religious contention and colonial expansion
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Reformations explores the rediscovery of Classical ideas that sparked the High Renaissance in late 15th- and early 16th-century Italy. It examines Mannerism's emergence from the High Renaissance and Baroque, highlighting masters such as Raphael and Michelangelo against the backdrop of political upheavals from the Reformation to the Thirty Years' War. The book then traces architectural developments across France, central Europe, England, and the Iberian peninsula, revealing the profound cultural exchanges that shaped this influential period.
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Format: Paperback / softback
$13400
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This detailed and richly illustrated volume is ideal for students, scholars, and enthusiasts of architecture and art history, particularly those interested in Renaissance and early modern European culture.

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Unprecedented in scope, this fifth volume in the Architecture in Context series traces the rediscovery of Classical ideas and the emergence of the great artists and architects of late 15th- and early 16th-century Italy that led to the cultural peak characterized as the High Renaissance.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Unprecedented in scope, this fifth volume in the Architecture in Context series traces the rediscovery of Classical ideas and the emergence of the great artists and architects of late 15th- and early 16th-century Italy, leading to the cultural peak characterised as the High Renaissance.

It begins with a definition of Mannerism, the seminal development from the High Renaissance and the Baroque, associated with such dominant and influential figures as Raphael, Michelangelo, Vignola, Romano, and Palladio. The political context within which Mannerism and its variants developed โ€“ from the Reformation to the outbreak of the Thirty Yearsโ€™ War โ€“ is outlined before the major figures and achievements of Italian architecture in the period are explored in great depth and breadth.

The journey then moves to France and architects and thinkers such as Pierre Lescot, Philibert de lโ€™Orme, J.A. du Cerceau, and Salomon de Brosse. These two major traditions โ€“ with the intercession of architects from the Netherlands who had ideas of their own โ€“ had a huge impact in central Europe, spreading ideas across a vast area including modern-day Germany, Austria, and Poland.

After a digression to the notably eclectic England of Elizabeth I and James I, where pioneers such as Robert Smythson were overshadowed by the towering figure of Inigo Jones, Reformations ends with a survey of architecture in the Iberian Peninsula and the colonies of Spain and Portugal, where the powerful influence of the Italian masters met a strong vernacular tradition.

Profusely illustrated and with many specially drawn plans, this is a wide-ranging and detailed guide to the architecture of a period that continues to fascinate and engage us today.

Series: Architecture in Context

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  • Reformations
    Unprecedented in scope, this fifth volume in the Architecture in Context series traces the rediscovery of Classical ideas and the emergence of the great artists and architects of late 15th- and early 16th-century Italy, leading to the cultural peak characterised as the High Renaissance. It begins with a definition of Mannerism, the seminal development from the High Renaissance and the...
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  • Transformations
    Unprecedented in scopeโ€”like its companion volume on the High Renaissance, Mannerismโ€”this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries. It particularly explores the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque, and the further development away from architectonic principles to...
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Book Details

INFORMATION

ISBN: 9781138038912

Publisher: Taylor & Francis Ltd

Format: Paperback / softback

Date Published: 01 June 2017

Country: United Kingdom

Imprint: Routledge

Illustration: 224 Line drawings, black and white; 1724 Halftones, color; 1724 Illustrations, color; 224 Illustrations, black and white

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Width: 180.0mm

Height: 210.0mm

Weight: 1820g

Pages: 872

About the Author

Christopher Tadgell taught architectural history for almost thirty years before devoting himself full-time to writing and research, travelling the world to see and photograph buildings from every tradition and period.

Born in Sydney, he studied art history at the Courtauld Institute in London. In 1974 he was awarded his PhD for a thesis on the Neoclassical architectural theorist, Ange-Jacques Gabriel. He subsequently taught in London and at the Kent Institute of Art and Design in Canterbury, with interludes as F.L. Morgan Professor of Architectural Design at the University of Louisville and as a Member of the Institute for Advanced Study, Princeton. He has lectured at academic institutions around the world, including the universities of Princeton, Harvard, Columbia and Cornell, the Graham Foundation in Chicago, and Cambridge University and the Courtauld Institute in the UK. He is a Trustee of the World Monuments Fund, a Fellow of the Society of Antiquaries and a member of both the British and American Societies of Architectural Historians.

His The History of Architecture in India (1990, several reprints, Phaidon) is the definitive one-volume account of the architecture of the subcontinent, while many publications on French architecture include the standard account in Baroque and Rococo Architecture and Decoration (ed. Blunt, 1978, Elek). He has contributed many articles on Indian and French architecture to The Grove Dictionary of Art and other major reference books.

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  • The Louvre and Versailles
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