Rednecks and Barbarians
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Rednecks and Barbarians
Defeating the rise of the fascists will take an epic project of anticolonial unity
Bouteldja throws all our certainties into the air, and with brilliant precision, reassembles them - Alana Lentin
In Europe and North America, the white working class is increasingly tempted by right-wing political parties. Fascistic candidates and ideas seem to reap the fruits of social unrest everywhere. With her usual thought-provoking and unyielding insights, Houria Bouteldja shows how the history of the left explains this conundrum and how we can overcome it.
Drawing from Black radical and decolonial Marxism, she shows that by privileging white constituencies, unions and left parties laid the foundations for a racial contract that binds workers and the poor to the state.
However, there may still be a way out of this trap. Uniting 'rednecks' (the white working class) and 'barbarians' (the racially oppressed), requires a project of popular sovereignty, where national identity is transformed through revolutionary love. Looking to the future, Bouteldja imagines antiracism as a redemptive struggle aimed not only at rehabilitating marginalised communities but also at redefining white dignity.
Book Details
INFORMATION
ISBN: 9780745349558
Publisher: Pluto Press
Format: Paperback / softback
Date Published: 20 November 2024
Country: United Kingdom
Imprint: Pluto Press
Contributors:
- Translated by Rachel Valinsky
Audience: General / adult
DIMENSIONS
Width: 140.0mm
Height: 216.0mm
Weight: 250g
Pages: 192
About the Author
Houria Bouteldja is a French-Algerian political activist and writer. She served as spokesperson for the Party of the Indigenous of the Republic until 2020. She is the author of Whites, Jews and Us: Towards a Politics of Revolutionary Love. The author lives in Paris, France. Rachel Valinsky is a writer, translator, and editor living in New York and Paris. Previously, she translated Houria Boutledja'sΒ Whites, Jews, and Us: Toward a Politics of Revolutionary LoveΒ for Semiotext(e). She is the Artistic Director at Wendy's Subway and the Director of Publications at the Center for Art, Research and Alliances (CARA) in New York.
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