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Praised and Ridiculed

French Painting 1820-1880
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Praised and Ridiculed explores the shifting perceptions of 19th-century French painting, contrasting celebrated movements like Romanticism, Realism, and Impressionism with the often overlooked Salon painters such as Meissonier, Cabanel, Gérôme, and Bouguereau. While artists like Delacroix and Manet broke from academic norms to pave the way for Modernism, Salon painters were once highly regarded but are now marginalised in many regions. This book argues for their significant role in understanding the evolution of art during this transformative period.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in 19th-century art, art history scholars, and enthusiasts exploring the dynamics between traditional and modern art movements.

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In the juxtaposition of so-called “Salon painters” and “Reformers of painting” this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres.

From the glamour of the Golden Twenties to the depths of the dark side of a world undergoing rapid change - the penetrating content of works by more than 60 artists recreates the age of the Weimar Republic, big - city life and the entertainment scene as well as the consequences of the First World War and socially controversial topics such as prostitution, political struggle and social tensions. As the first German democracy, the Weimar Republic (1918 - 1933) is regarded as a time of crisis and transition - from the German Empire to the totalitarian regime of National Socialism. Numerous artists not only portrayed these years in their realistic representations, which are ironical and grotesque as well as critical - analytical; they also aimed to comment on the stat us quo and bring about social change. Works from Otto Dix and George Grosz via Conrad Felixmuller and Christian Schad to Dodo, Jeanne Mammen, Elfriede Lohse - Wachtler, famous artists and others waiting to be rediscovered, paint a multi - layered and political picture of the Weimar Republic.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Romanticism, Realism, Impressionism—these are still the most important stylistic labels which acted as slogans for French painting during the 19th century. At that time, Delacroix, Courbet, Manet, and many others left the "straight and narrow" of painting, the academic-neo-classical manner.

Highly controversial at the time, today these painters are celebrated worldwide as precursors of Modernism. The situation is very different when it comes to the Salon painters like Meissonier, Cabanel, Gérôme, and Bouguereau, who were highly regarded at the time. Today they have been consigned to the fringes, especially in the German-speaking region—unjustifiably, because they play an outstanding role with regard to our understanding of developments in art at the time.

Praised and Ridiculed by Kunsthaus Zürich, Züricher Kunstgesellschaft, revisits this fascinating era in art history, shedding light on both the celebrated and the overlooked painters who shaped the period.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

ARLIS/NA calls the book "Thought-provoking and thoroughly documented... illuminating," highlighting its insightful and comprehensive examination of art history.

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Book Details

INFORMATION

ISBN: 9783777429465

Publisher: Hirmer Verlag

Format: Paperback / softback

Date Published: 18 January 2018

Country: Germany

Imprint: Hirmer Verlag

Illustration: Illustrated in colour and black and white throughout

Audience: General / adult

DIMENSIONS

Width: 230.0mm

Height: 280.0mm

Weight: 1240g

Pages: 247

About the Author

The Zürcher Kunstgesellschaft began with a small social group of artists and art lovers in 1787 who met for friendly discussions and mutual encouragement, and has grown over the centuries to more than 20,000 members. The collection at its museum, the Kunsthaus Zürich, offers insight into Zürich's cultural background as well as European art from the late Gothic to the present day.

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