Pow! Right in the Eye!
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Pow! Right in the Eye!
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
"First published as Berthe Weill, Pan! ... dans l'ΒΆil! ... ou trente ans dans les coulisses de la peinture contemporaine 1900-1930 (Paris: Librairie Lipschutz, 4 place de l'OdΓ’eon. 1933)"--Copyright page.
Memoir of a provocative Parisian art dealer at the heart of the 20th-century art world, available in English for the first time.
Berthe Weill, a formidable Parisian dealer, was born into a Jewish family of very modest means. One of the first female gallerists in the business, she first opened the Galerie B. Weill in the heart of Parisβs art gallery district in 1901, holding innumerable exhibitions over nearly forty years. Written out of art history for decades, Weill has only recently regained the recognition she deserves.
Under five feet tall and bespectacled, Weill was beloved by the artists she supported, and she rejected the exploitative business practices common among art dealers. Despite being a self-proclaimed βterrible businesswoman,β Weill kept her gallery open for four decades, defying the rising tide of antisemitism before Germanyβs occupation of France. By the time of her death in 1951, Weill had promoted more than three hundred artistsβincluding Henri Matisse, Pablo Picasso, Amedeo Modigliani, Diego Rivera, and Suzanne Valadonβmany of whom were women and nearly all young and unknown when she first exhibited them.
Pow! Right in the Eye! makes Weillβs provocative 1933 memoir finally available to English readers, offering rare insights into the Parisian avant-garde and a lively inside account of the development of the modern art market.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Maggie Taft of Booklist praises the memoir as a "fast-paced and punchy account" of early 20th-century Parisian art, highlighting Weillβs role in promoting revolutionary artists before their market success. ARTnews notes the bookβs overarching message of "resistance in the face of an elitist, male-dominated art world." The translation is commended for capturing Weillβs lively, slang-filled narrative, making this a valuable addition to art market studies and history.
Book Details
INFORMATION
ISBN: 9780226814360
Publisher: The University of Chicago Press
Format: Hardback
Date Published: 22 June 2022
Country: United States
Imprint: University of Chicago Press
Illustration: 12 halftones
Contributors:
- Edited by Lynn Gumpert
- Translated by William Rodarmor
- Translated by William Rodarmor
Audience: General / adult
DIMENSIONS
Width: 140.0mm
Height: 216.0mm
Weight: 250g
Pages: 288
About the Author
Berthe Weill (1865-1951) was a French art dealer. Lynn Gumpert is director of the Grey Art Gallery at New York University. She is coeditor of Taking Shape: Abstraction from the Arab World, 1950s-1980s. William Rodarmor is a translator of books including Claudine Cohen's The Fate of the Mammal: Fossil, Myth and History and Bernard Moitessier's Tamata and the Alliance, which won the 1996 Lewis Galantiere Award from the American Translators Association.
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