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Poems of John Keats: Popular Penguins

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Poems of John Keats: Popular Penguins is a beautifully curated collection of John Keats's most revered works, capturing the essence of Romantic poetry. It explores themes of beauty, nature, love, and transience, reflecting Keats's profound lyricism and imaginative richness. The poems in this edition showcase his masterful use of language and deeply emotive style, making it an enchanting journey through his poetic world.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

You might enjoy this collection if you appreciate the evocative language and rich imagery of Romantic poetry. Known for his exploration of beauty, nature, and human emotion, John Keats's work offers deep reflections and stunning lyrical qualities that continue to inspire readers and poets alike. If you have a passion for exploring profound themes through cultural and artistic lenses, this book is perfectly suited for you.

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Poems of John Keats: Popular Penguins

Over the course of his short life, John Keats (1795-1821) honed a raw talent into a brilliant poetic maturity. This wide-ranging selection of Keats's poetry contains youthful verse, such as his earliest known poem 'Imitation of Spenser'; poems from his celebrated collection of 1820 and later celebrated works such as 'La Belle Dame sans Merci'.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Over the course of his short life, John Keats (1795-1821) honed a raw talent into a brilliant poetic maturity. This wide-ranging selection of Keats's poetry contains youthful verse, such as his earliest known poem Imitation of Spenser; poems from his celebrated collection of 1820 - including Lamia, Isabella, The Eve of St Agnes, Ode to a Nightingale and Hyperion - and later celebrated works such as La Belle Dame sans Merci.

Book Details

INFORMATION

ISBN: 9780141194950

Publisher: Penguin Books Ltd

Format: Paperback / softback

Date Published: 28 June 2010

Country: United Kingdom

Imprint: Penguin Books Ltd

Audience: General / adult, Tertiary education

DIMENSIONS

Spine width: 14.0mm

Width: 109.0mm

Height: 180.0mm

Weight: 76g

Pages: 102

About the Author

John Keats was born in October 1795, son of the manager of a livery stable in Moorfields. His father died in 1804 and his mother, of tuberculosis, in 1810. By then he had received a good education at John Clarke's Enfield private school. In 1811 he was apprenticed to a surgeon, completing his professional training at Guy's Hospital in 1816. His decision to commit himself to poetry rather than a medical career was a courageous one, based more on a challenge to himself than any actual achievement. His genius was recognized and encouraged by early Mends like Charles Cowden Clarke and J. H. Reynolds, and in October 1816 he met Leigh Hunt, whose Examiner had already published Keats's first poem. Only seven months later Poems (1817) appeared. Despite the high hopes of the Hunt circle, it was a failure. By the time Endymion was published in 1818 Keats's name had been identified with Hunt's 'Cockney School', and the Tory Blackwood's Magazine delivered a violent attack on Keats as a lower-class vulgarian, with no right to aspire to 'poetry'. But for Keats fame lay not in contemporary literary politics but with posterity. Spenser, Shakespeare, Milton, and Wordsworth were his inspiration and challenge. The extraordinary speed with which Keats matured is evident from his letters. In 1818 he had worked on the powerful epic fragment Hyperion, and in 1819 he wrote 'The Eve of St Agnes', 'La Belle Dame sans Merci', the major odes, Lamia, and the deeply exploratory Fall of Hyperion. Keats was already unwell when preparing the 1820 volume for the press; by the time it appeared in July he was desperately ill. He died in Rome in 1821. Keats's final volume did receive some contemporary critical recognition, but it was not until the latter part of the nineteenth century that his place in English Romanticism began to be recognized, and not until this century that it became fully recognized.

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