On Animation
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On Animation
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On Animation: The Director's Perspective is a collection of interviews with 21 animated feature-film directors. Interviews cover in-depth discussion of each director's career -- focusing on their creative development, their films, lesson learned and advice. The interviews were edited and produced by Ron Diamond.
Be a fly on the wall as industry leaders Bill Kroyer and Tom Sito take us through insightful face-to-face interviews, revealing, in these two volumes, the journeys of 23 world-class directors as they candidly share their experiences and personal views on the process of making feature animated films. The interviews were produced and edited by Ron Diamond.
Your job is not to be the one with the answers. You should be the one that gets the answers. Thatβs your job. You need to make friends and get to know your crew. These folks are your talent, your bag of tricks. And thatβs where youβre going to find answers to the big problems - Andrew Stanton
Itβs hard. Yet the pain you go through to get what you need for your film enriches you, and it enriches the film. β Brenda Chapman
Frank and Ollie always used to say that great character animation contains movement that is generated by the characterβs thought process. It canβt be plain movement. β John Lasseter
The beauty of clay is that it doesnβt have to be too polished, or too smooth and sophisticated. You donβt want it to be mechanical and lifeless. β Nick Park
The good thing about animation is that tape is very cheap. Let the actor try things. This is where animation gets to play with spontaneity. You want to capture that line as it has never been said before. And, most likely, if you asked the actor to do it again, he or she just canβt repeat that exact performance. But you got it. β Ron Clements
Book Details
INFORMATION
ISBN: 9781138067073
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 15 October 2019
Country: United Kingdom
Imprint: CRC Press
Illustration: 34 Line drawings, color; 37 Line drawings, black and white; 89 Halftones, color; 18 Halftones, black and white
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Width: 203.0mm
Height: 254.0mm
Weight: 830g
Pages: 384
About the Author
Tom Sito's animation credits include The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, Who Framed Roger Rabbit, The Prince of Egypt, Shrek, and Looney Tunes: Back in Action. He also co-directed Osmosis Jones. He is the author of Drawing the Line: The Untold Story of Animation Unions from Bosko to Bart Simpson, and Moving Innovation: A History of Computer Animation. He is currently a professor of animation at the University of Southern California. Bill Kroyer directed FernGully: The Last Rainforest and was nominated for the Academy Award for his 1988 animated short film, Technological Threat. His animation credits also include The Fox and the Hound, and Tron. At Rhythm and Hues Studios, Kroyer served as Senior Animation Director and supervised the CGI animation on Garfield, Scooby Doo, Cats & Dogs, and The Flintstones in Viva Rock Vegas. He is currently the Director of Digital Arts at Chapman University. Ron Diamond founded ACME Filmworks in 1990 to produce commercials with leading artistic animation directors from around the world. Diamond also produced the TV series Drew Careyβs Green Screen Show, and Drawn From Memory for PBS, as well as several live action features. He produces and distributes the Annual Animation Show of Shows, a curated selection of new, exemplary shorts shown at major animation studios, universities, festivals, museums and art house theaters. He is also co-founder of AWN.com.
Also by Ron Diamond
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