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Music, Dance and the Archive
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Music, Dance and the Archive
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for scholars and students of Indigenous Studies, musicology, dance history, archival science, and cultural history, as well as practitioners interested in Indigenous performing arts and heritage revitalisation.
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See moreMusic, Dance and the Archive reimagines records of performance cultures from the archive through collaborative and creative research. The contributors explore modes of re-embodying archival records, renewing song practices, countering colonial narratives and re-presenting performance traditions.
Book Hero Magic formatted this description to make it easier to read. While it's new and
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Description
Music, Dance and the Archive interrogates historical access and responses to archives by showing how Indigenous performing artists and community members, and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives.
It highlights the relationship between music and dance, as embodied forms of culture, and records in archives, bringing together interdisciplinary research from musicologists, dance historians, linguists, Indigenous Studies scholars and practitioners.
The volume examines how music and dance are recorded in audio-visual records, what uses are made of these records (in renewal of cultural practice or in revitalising performances that have fallen out of use), and the relationship between the live body and historical objects.
While this book focuses on Aboriginal and Torres Strait Islander music and dance, it also features research on Indigenous music and dance from beyond Australia, including New Zealand, Taiwan and North America.
Music, Dance and the Archive is an insightful culmination of original, previously unpublished research from a diverse selection of scholars in Indigenous history, musicology, linguistics, archival science and dance history.
Series: Indigenous Music, Language and Performing Arts
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Yuupurnju
Yuupurnju: A Warlpiri Song Cycle documents a ceremonial song cycle situated within the traditional kurdiji "shield" ceremony, as sung by Warlpiri Elder Henry Cooke Anderson Jakamarra at Lajamanu, Northern Territory, in 2013. The song cycle relates to a women's jukurrpa Dreaming narrative and tells the story of a group of ancestral women on a journey across the country. Jakamarra performed...Paperback$10800Unit price /UnavailableAvailableShips in 2-3 weeks -
Vitality and Change in Warlpiri Songs
Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations.While musical and cultural change is...Paperback$13900Unit price /UnavailableAvailableShips in 2-3 weeks -
The Old Songs are Always New
Approximately 1300 ethnographic field recordings of Tiwi songs, made between 1912 and 1981, are archived at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra. In November 2009, Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim these archived songs and song texts. The Old Songs are Always New explores their return home to...Paperback$12900Unit price /UnavailableAvailableShips in 2-3 weeks -
Keeping Time
Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music....Paperback$16400Unit price /UnavailableAvailableShips in 2-3 weeks -
Music, Dance and the Archive
Music, Dance and the Archive interrogates historical access and responses to archives by showing how Indigenous performing artists and community members, and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It highlights the relationship between music and dance, as embodied forms of culture, and records in archives, bringing together interdisciplinary...Paperback$9300Unit price /UnavailableAvailableShips in 2-3 weeks
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Praised as a radical and necessary work, the book is noted for its innovative approach to reanimating archives and true decolonisation by enabling Traditional Owners to revive and re-embody cultural heritage. It has been commended for fostering inclusive collaboration with Aboriginal communities and critically addressing past archival practices, contributing significantly to the decolonisation of archives.
Book Details
INFORMATION
ISBN: 9781743328675
Publisher: Sydney University Press
Format: Paperback / softback
Date Published: 11 November 2022
Country: Australia
Imprint: Sydney University Press
Illustration: Maps, family tree, photographs, musical notation
Contributors:
- Edited by Amanda Harris
- Edited by Linda Barwick
- Edited by Professor Jakelin Troy
Audience: Professional and scholarly
DIMENSIONS
Spine width: 14.0mm
Width: 176.0mm
Height: 250.0mm
Weight: 450g
Pages: 254
About the Author
Amanda Harris is a Research Fellow on the ARC Discovery Project 'Reclaiming performance under Assimilation in southeast Australia, 193575'. She is a musicologist and cultural historian, whose work focuses on cross-cultural engagements, histories of music and dance, and women's histories.
Linda Barwick is a musicologist, specialising in the study of Australian Aboriginal music, immigrant music and the digital humanities, particularly archiving and repatriation of ethnographic field recordings as a site of interaction between researchers and cultural heritage communities.
Jakelin Troy is a Ngarigu woman from the Snowy Mountains of New South Wales, and Director of Aboriginal and Torres Strait Islander Research at the University of Sydney. Professor Troy's research and academic interests focus on documenting, describing and reviving Indigenous languages. She is also developing research projects with the Saraiki of the Punjab and Torwali community in Swat, North Pakistan.
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