Michael Wesely: The Camera was present 2010-2020

For over three decades now, Michael Wesely has created revelatory photographs using large-format lenses on self-made, long-exposure cameras. The resulting exposure times are extraordinary—not merely minutes and hours, but days, months, and even years. Wesely's camera catches the enormity of everything that passes before it, crystallising reality into unexpected, densely layered, and sometimes ghostly pictures. Familiar objects often become only partially recognisable, opening up new perceptions of time and space.

Wesely's highly original work contrasts with the more traditional approach of photographers carefully staging their compositions and directing the subject. His images seem caught in the processes of both becoming and unravelling; what remains is fragmentary, comparable to the ambiguity of Michelangelo Antonioni's thriller Blow-Up. Wesely sees his photos as archival excerpts from the present, inviting us to consider them as "visual archaeology" and to imagine our own stories behind their creation. The Camera Was Present celebrates his 20-year collaboration with Galerie Fahnemann and traces the evolution of his photography from 2010 to 2020.