Martial Arts Ecology
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Martial Arts Ecology
Proposes a new approach to studying martial arts cinema as part of the media ecology by locating various manifestations of tranquility in action.
What is martial arts cinema? While known for its dazzling action and emotional intensity, this book argues that martial arts cinema aspires to a deeper goal: cultivating tranquility amid conflict-a concept termed "martial ideation." Moving beyond traditional analyses that emphasize authenticity or expressivity, the book reveals how martial arts movements embody profound intellectual meaning. By treating kung fu practices as embodied knowledge, it uncovers their tranquil philosophical essence-rooted in Confucian stability, Daoist fluidity and Buddhist sensitivity-and examines how these principles transcend physical combat to shape narratives, characters and visual storytelling.
From Bruce Lee's iconic fight scenes to modern interpretations such as The Grandmaster, Kung Fu Panda and Everything Everywhere All at Once, the book bridges philosophy and aesthetics across cinema, animation and gaming. Accessible to scholars and fans alike, this groundbreaking study positions martial arts cinema as a global, multi-media phenomenon that transcends traditional genre and cultural boundaries.
Book Details
INFORMATION
ISBN: 9781399527927
Publisher: Edinburgh University Press
Format: Hardback
Date Published: 31 January 2026
Country: United Kingdom
Imprint: Edinburgh University Press
Illustration: 15 black and white illustrations
Audience: Professional and scholarly
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 250g
Pages: 304
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About the Author
Wayne Wong is lecturer in East Asian Studies at the University of Sheffield. His research focuses on the politics, aesthetics, and philosophy of global martial arts and action cinema. He has published in peer-reviewed journals, such as Asian Cinema, Global Media and China, Journal of Contemporary Chinese Art, Archiv OrientΓ‘lnΓ, and Martial Arts Studies. He has also contributed chapters in edited volumes such as Fighting Stars: Stardom and Reception in Hong Kong Martial Arts Cinema, The Cinema of Stephen Chow, Afro-Futurism in Black Panther, and The Worlds of John Wick. He is an editor of the Martial Arts Studies journal.
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