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Juan Davila

Catalogue RaisonnΓ© 1958–2023
Brief Description
Since the early 1970s, Juan Davila has used the medium of painting to engage in debates around aesthetics, politics, and sexuality, drawing on the rich and varied traditions of Latin and North America, Australia, and Europe. Considered as a whole, Davila has produced a uniquely provocative,... Read More
Format: Hardback
$79500
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Since the early 1970s, Juan Davila has used the medium of painting to engage in debates around aesthetics, politics, and sexuality, drawing on the rich and varied traditions of Latin and North America, Australia, and Europe. Considered as a whole, Davila has produced a uniquely provocative, powerful, and influential body of work, raising to high art the visual landscape of popular culture.

This catalogue raisonnΓ© reproduces all of Davila's work to dateβ€”more than 1200 artworksβ€”with volume I covering paintings, installations, and collaborations, and volume II containing works on paper. Together, they demonstrate that Davila's works are not simply reflections of a society awash with images, but a carefully articulated interrogation of the hierarchies applied to cultural material, and by extension, cultures. Davila examines the hidden tensions that lurk in the questionable ethics of contemporary society.

Book Details

INFORMATION

ISBN: 9780522880472

Publisher: Melbourne University Press

Format: Hardback

Date Published: 15 September 2026

Country: Australia

Imprint: The Miegunyah Press

Audience: General / adult

DIMENSIONS

Width: 246.0mm

Height: 301.0mm

Weight: 0g

Pages: 1340

About the Author

Juan Davila was born in Santiago, Chile, in 1946 and migrated to Melbourne, Australia, in 1974, during a time of great upheaval in his home country. He has worked between the two countries ever since. He studied Law and then Fine Arts at the University of Chile. His work has been exhibited widely, including at CAL Gallery, Santiago, Matucana 100, Santiago, The Museo de Arte Contemporaneo de Castilla, Le n, Documenta, Kassel, Biennale of Sydney, Drill Hall Gallery, Canberra and major retrospective exhibitions at the Museum of Contemporary Art Australia and the National Gallery of Victoria.

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