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Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles
Series: BFI Film Classics
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Check link for latest rating. ( 45 ratings, 7 reviews)
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Summary
Fowler reconstructs the film’s making using original footage, scripts, and interviews, revealing a feminist collaboration rooted in shared experiences and cultural context. The work invites viewers to reconsider their relationship with time and the cinematic experience itself.
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Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book appeals primarily to readers interested in feminist film studies, cinema theory, and arts and culture scholarship. It is well-suited for academics, students, and film enthusiasts who wish to deepen their understanding of feminist filmmaking and alternative narrative structures.
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Description
Lucid, lively and extremely knowledgeable. Sight & Sound
Catherine Fowler’s study positions Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles as a ‘contrary’ classic, its contrariness arising from director Chantal Akerman’s decision to frame an unliberated housewife through a kind of ‘slow looking’. By choosing to stay with Jeanne in the kitchen, the film both ‘differences’ the canon and diverges from Akerman’s liberated early films, which involved the rejection of domestic space, married life and the heterosexual script.
Fowler draws on original footage, scripts, unmade and unseen projects, interviews and other documents to painstakingly piece together the making of the film, discovering an alternative origin story which centres upon female alliances, forged through a combination of shared film culture and lived sexism. Those viewers who take up Akerman’s invitation to spend time with Jeanne will find their expectations of cinema are changed. Because more than any other film before or since, it reminds us that we give our time to a film; and in making us look both harder and for longer it asks us to feel time slipping away, for ourselves as much as for its protagonist.
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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Sight & Sound praises the book as “lucid, lively and extremely knowledgeable.” Sandy Flitterman-Lewis calls it a “must for the feminist bookshelf,” highlighting its comprehensive analysis and capacity to inspire profound contemplation. Other reviewers appreciate Fowler’s intricate and compassionate reading of the film’s feminist poetics, politics and aesthetics, recognising it as a vital resource for feminist film scholars and enthusiasts alike.
Book Details
INFORMATION
ISBN: 9781839022821
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 18 November 2021
Country: United Kingdom
Imprint: BFI Publishing
Illustration: 60 colour illus
Audience: Professional and scholarly
DIMENSIONS
Spine width: 6.0mm
Width: 134.0mm
Height: 194.0mm
Weight: 160g
Pages: 96
About the Author
Catherine Fowler is Associate Professor in Film at the University of Otago, New Zealand. She has been a student of Chantal Akerman’s cinema for some twenty five years, having written her PhD on Akerman's ‘cinema of displacements’ and has published an article on Jeanne Dielman in the edited volume 24 Frames: The Cinema of the Low Countries (ed. Mathijs, 2004).
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