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Heavy Metal Music in Argentina

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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Heavy Metal Music in Argentina offers a pioneering interdisciplinary analysis of Argentina's heavy metal subculture from 1983 to 2002. Exploring how metal music persisted through military dictatorship and neoliberal democracy, this collection examines rituals, lyrics, and cultural impact. Edited by experts and written by members of the Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA), it highlights metal music as a force for social change and political reflection within Argentina's working-class communities.
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Format: Paperback / softback
$7599
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in musicology, cultural studies, Latin American politics, and fans of global heavy metal looking to deepen their understanding of the genre’s social and political significance in Argentina.

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This edited collection is an interdisciplinary study of heavy metal culture in Argentina between 1983 and 2002. Contributors address the music’s rituals, circulations, cultural products, lyrics and intertexts, allowing readers to rethink the place of national heavy metal within Argentinean politics and economics, after the end of the dictatorship.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The first collection of essays on Argentine metal music.

This is an interdisciplinary study of Argentina’s heavy metal subculture between 1983 and 2002, a period in which metal music withstood the onslaught of military dictatorship and survived the neoliberal policies of bourgeois democracy.

Edited by leading researchers in the field, this collection addresses the music’s rituals, circulations, cultural products, lyrics, and intertexts, allowing readers to rethink the genre’s place within Argentinean politics and economics. Exclusively written by members of the Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA) in a communal approach to scholarship, the book echoes the working-class voices that marked early post-dictatorship metal music in Argentina.

Heavy Metal Music in Argentina explores heavy metal music as a catalyst for social change and a site for engaging political reflection. This is a fascinating work of scholarship and a groundbreaking contribution to the emerging field of global metal studies.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Reviews praise the book as a compelling, illuminating exploration of Argentina's vibrant metal scene that challenges the conventional focus on the global North. Academics highlight its importance for understanding global metal subcultures and its role as a groundbreaking contribution to metal studies and music-politics scholarship.

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Book Details

INFORMATION

ISBN: 9781789387483

Publisher: Intellect

Format: Paperback / softback

Date Published: 01 February 2023

Country: United Kingdom

Imprint: Intellect Books

Edition: New edition

Contributors:

  • Edited by Emiliano Scaricaciottoli
  • Edited by Nelson Varas-Díaz
  • Edited by Daniel Nevárez Araujo

Audience: Professional and scholarly

DIMENSIONS

Width: 170.0mm

Height: 244.0mm

Weight: 250g

Pages: 129

Collections

Arts & Culture Non-Fiction

About the Author

Emiliano Scaricaciottoli is professor at the University of Buenos Aires. He is the coordinator for the Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA) and has edited two books of essays and another seven productions on rock and metal in Argentina.

Nelson Varas-Díaz is professor of social-community psychology at Florida International University. He is the coeditor of the journal Metal Music Studies and the director of the documentary film Songs of Injustice: Heavy Metal Music in Latin America.

Daniel Nevárez Araújo holds a doctorate in comparative literature from the University of Massachusetts Amherst as well as master’s and bachelor’s degrees from the University of Puerto Rico, Río Piedras.

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