Glam Rock
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Glam Rock
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Drawing on the collections of the V&A, Glam Rock narrates the story of glam & explores its impact on fashion, theatre & film. In the early 1970s, glam rock changed the face of popular culture in Britain and, against a backdrop of a nation racked by economical and social crises, its flamboyancy provided an escapist dream for musicians and fans alike
Glam Rock draws on the collections of the V&A to narrate the story of glam and explore its impact on fashion, theatre, and film.
In the early 1970s, glam rock changed the face of popular culture in Britain. Against a backdrop of a nation racked by economic and social crises, its flamboyancy and theatricality provided an excuse for a party and an escapist dream for musicians and fans alike. British acts like David Bowie, Roxy Music, T. Rex, and Mott the Hoopleβtogether with American fellow-travellers including Lou Reed, Alice Cooper, and Sparksβdrew on the original blueprint of rock and roll, as well as a host of other traditions, from Hollywood to the music hall, Berlin cabaret, and Broadway musicals to science fiction and pop art.
The resulting music was a wild blend of camp artifice and avant-garde decadence. By 1975, the era had come to an end, but glam never truly went away. Indeed, its attitudes and aesthetics have shaped much that has followed since, from disco to punk, the new romantics to Britpop, Prince to Lady Gaga.
Book Details
INFORMATION
ISBN: 9781851777648
Publisher: V & A Publishing
Format: Hardback
Date Published: 07 October 2013
Country: United Kingdom
Imprint: V & A Publishing
Audience: General / adult
DIMENSIONS
Spine width: 13.0mm
Width: 216.0mm
Height: 270.0mm
Weight: 975g
Pages: 160
About the Author
Alwyn W. Turner is the author of Halfway to Paradise: The Birth of British Rock V&A 2008), My Generation: The Glory Years of British Rock (V&A 2010), and the acclaimed trilogy on modern British history, Crisis? What Crisis?, Rejoice! Rejoice! And A Classless Society, as well as The Biba Experience and The Man Who Invented the Daleks.
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