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Film Phenomenologies

Temporality, Embodiment, Transformation
Brief Description
With an interdisciplinary agenda, Film Phenomenologies investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and... Read More
Format: Paperback / softback
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Presents a diverse range of phenomenological approaches that explore and expand the subject of film-phenomenology

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With an interdisciplinary agenda, Film Phenomenologies investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz.

Established scholars consider various themes, including colonial duration and the politics of refusal, feeling feminist time, the exchange of play, scalar theory and scattered bodies, spectatorship and the entanglement of montage, disability, dance and speculative embodiment, AI phenomenology and breath gestures, cinematic atmospheres, the precarious intimacy of the film screen, stardom and biopics, and Black lived experience.

Divided into three parts, Film Phenomenologies offers a collective combination of phenomenological approaches, braiding classic and critical methods to explore aesthetic, embodied, ethical, and political perspectives. It is the first collection to provide a substantial engagement with diverse and inclusive directions in the field of film and media studies.

Book Details

INFORMATION

ISBN: 9781399528139

Publisher: Edinburgh University Press

Format: Paperback / softback

Date Published: 31 March 2026

Country: United Kingdom

Imprint: Edinburgh University Press

Illustration: 26 black and white illustrations

Contributors:

  • Edited by Kelli Fuery

Audience: Professional and scholarly

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 0g

Pages: 312

About the Author

Kelli Fuery is Professor of Creative and Cultural Industries in Wilkinson College of Arts, Humanities and Social Sciences at Chapman University, California. She is the author of five books, including Ambiguous Cinema: From Simone de Beauvoir to Feminist Film-Phenomenology and Wilfred Bion, Thinking and Emotional Experience with Moving Images. Her next project examines Bion's notion of the bizarre object and interconnected themes of hallucination, phenomenology and virtuality.

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