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Dangerous Visions and New Worlds

Radical Science Fiction, 1950 to 1985
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( 102 ratings, 28 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Dangerous Visions and New Worlds explores the transformative era of science fiction from 1950 to 1985, reflecting major social upheavals and radical movements in America and Great Britain. The book traces the evolution of the genre from conservative 1950s narratives through the disruptive New Wave of the 1960s, addressing themes such as mass media influence, corporate control, state surveillance, and social movements including feminism, Black Power, and ecological awareness. It also examines the genre's trajectory in the 1970s and early 1980s, including the emergence of cyberpunk. Featuring over twenty chapters by contemporary authors, it provides fresh perspectives on icons like Octavia Butler, Ursula K. Le Guin, and Philip K. Dick, alongside rediscovered voices of the period.
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Format: Paperback / softback
$7900

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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Dangerous Visions and New Worlds is ideal for readers interested in the intersection of literature, culture, and politics, especially those fascinated by science fiction's role in social and cultural change. It will appeal to fans of classic and radical sci-fi authors, scholars studying 20th-century speculative fiction, and anyone keen to understand the genre's evolution during pivotal decades of activism and innovation.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Much has been written about the "long Sixties," the era from the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds, and the future, science fiction became an ideal vessel for this upsurge of radical protest.

Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power.

The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.

Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-colour cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Michael Moorcock praises the book for capturing the passionate cultural explosion of the New Wave era, highlighting its fusion of speculative fiction with the arts, sciences, and political activism. He describes the volume as a remarkable overview of highly individualistic writers with diverse approaches. Another reviewer sees it as an entertaining and fresh, twenty-first century reappraisal of the New Wave science fiction movement, excellently placing it in a wider radical historical context and offering a concise history along with diverse essays on lesser-known progressive authors.

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Book Details

INFORMATION

ISBN: 9781629638836

Publisher: PM Press

Format: Paperback / softback

Date Published: 30 December 2021

Country: United States

Imprint: PM Press

Illustration: 1 Illustrations

Contributors:

  • Edited by Andrew Nette
  • Edited by Iain McIntyre

Audience: General / adult

DIMENSIONS

Width: 203.0mm

Height: 260.0mm

Weight: 250g

Pages: 224

About the Author

Andrew Nette is a writer of fiction and nonfiction based in Melbourne, Australia. He is the coeditor of Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980 (2017) and Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1956 to 1980 (2019), as well as the author of a monograph on Norman Jewison's 1975 dystopian science fiction film Rollerball, published by the independent film and media studies publisher Auteur in 2018. His contributed reviews and nonfiction to the Los Angeles Review of Books, Sight and Sound, Australian Book Review, the British Film Institute, and Australian Centre for the Moving Image. He has written two novels, Ghost Money (2012), a crime story set in Cambodia in the mid-90s, and Gunshine State (2016), and his short fiction has appeared in numerous print and online publications. Iain McIntyre is a Melbourne-based author, musician, and community radio broadcaster who has written a variety of books on activism, history, and music. Previous publications include Sticking It to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1956 to 1980 (2019); On the Fly! Hobo Literature and Songs, 1879-1941 (2018); Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980 (2017); How to Make Trouble and Influence People: Pranks, Protest, Graffiti & Political Mischief-Making from across Australia (2013); Wild About You: The Sixties Beat Explosion in Australia and New Zealand (2010); and Tomorrow Is Today: Australia in the Psychedelic Era, 1966-70 (2006).

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