Cutting Up Books
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Explores writing as experiment and destruction as discovery. Blending theory, art, and practice, it introduces textrapolation: a cut-up method that reimagines creativity, authorship, and knowledge-making in the age of artificial unintelligence. Encourages intellectual play, intuition, and embodied experimentation to reanimate writing and thought.
An experimental exploration of writing, creativity, and knowledge-making through the radical act of cutting up books.
Over six months, Ania Malinowska dismantled over four hundred books, reframing their content into 111 poetic epigrams and combining conscious methodical experimentation with the spontaneity of automatic writing. Blending theory, practice, and art, her new book champions this practice of "textrapolation," framing it as a method of critical composition that uses destruction as a form of discovery. At once a manifesto and a manual, Cutting Up Books addresses the crisis of creativity in academic and cultural practices while responding to contemporary challenges, including crises in education and perceived threats posed by large language models.
Drawing on traditions of the cut-up, collage, and automatic writing, the book turns the materiality of text into a thinking tool, showing how breaking and reassembling language can generate new modes of understanding. Thematically, it connects literary experimentation with philosophy, media theory, and the crisis of creativity in the age of artificial intelligence. It reconsiders authorship, education, and the function of books in a culture increasingly defined by templates, automation, and cognitive fatigue.
Book Details
INFORMATION
ISBN: 9781835953785
Publisher: Intellect
Format: Paperback / softback
Date Published: 29 June 2026
Country: United Kingdom
Imprint: Intellect Books
Audience: Professional and scholarly
DIMENSIONS
Width: 170.0mm
Height: 244.0mm
Weight: 0g
Pages: 304
About the Author
Ania MalinowskaΒ is a culture theorist, author and professor at UiT The Arctic University of Norway (and formerly at the University of Silesia in Poland). She has published widely on media and emotions, cultural robotics, and the technologies of social relations.
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